Name	Arabic
Nativename	''''
Pronunciation
Imagecaption	in written Arabic (Naskh script)
Region	Primarily in the Arab states of the Middle East and North Africa;liturgical language of Islam.
Speakers	More than 280 million native speakers
Familycolor	Afro-Asiatic
Fam2	Semitic
Fam3	Central Semitic
Stand1	Modern Standard Arabic
Dia1	Western (Maghrebi)
Dia2	Central (incl. Egyptian)
Dia3	Northern (incl. Levantine, Iraqi)
Dia4	Southern (incl. Gulf, Hejazi, Yemeni)
Script	Arabic alphabet, Syriac alphabet (Garshuni)
Nation	Official language of 26 states, the third most after English and French
Agency	: Supreme Council of the Arabic language in Algeria : Academy of the Arabic Language in Cairo : Iraqi Academy of Sciences : Jordan Academy of Arabic : Academy of the Arabic Language in Jamahiriya : Academy of the Arabic Language in Rabat : Academy of the Arabic Language in Mogadishu : Academy of the Arabic Language in Khartoum : Arab Academy of Damascus (the oldest) : Beit Al-Hikma Foundation : Academy of the Arabic Language in Israel
Iso1	ar
Iso2	ara
Lc1	ara |ld1Arabic (generic)''(see varieties of Arabic for the individual codes)''
Ll1	none
Map	Arabic Language.PNG
Mapcaption	Distribution of Arabic as an official language in the Arab World. Majority Arabic speakers (blue) and minority Arabic speakers (green).
Notice	IPA}}

Arabic ( '''' or '''' ) is a name applied to the descendants of the Classical Arabic language of the 6th century AD, used most prominently in the Quran, the Islamic Holy Book. This includes both the literary language (Modern Standard Arabic or ''Literary Arabic'', used in most written documents as well as in formal spoken occasions, such as lectures and radio broadcasts) and the spoken Arabic varieties, spoken in a wide arc of territory stretching across the Middle East and North Africa. Arabic is a Central Semitic language, closely related to Hebrew and the Neo-Aramaic languages, and also related to the South Semitic languages (e.g. Amharic in Ethiopia, Tigrinya in Ethiopia and Eritrea, and Mehri in Yemen and Oman) and the extinct East Semitic languages (e.g. Akkadian, first attested nearly 5,000 years ago). The written language is distinct from and more conservative than all of the spoken varieties, and the two exist in a state known as diglossia, used side-by-side for different societal functions.

Many of the spoken varieties are mutually unintelligible, and the varieties as a whole constitute a macrolanguage. This means that on purely linguistic grounds they would likely be considered to constitute more than one language, but are commonly grouped together as a single language for political and/or ethnic reasons. If considered multiple languages, it is unclear how many languages there would be, as the spoken varieties form a dialect chain with no clear boundaries. If Arabic is considered a single language, it counts more than 200 million first language speakers (according to some estimates, as high as 280 million), more than that of any other Semitic language. If considered separate languages, the most-spoken variety would likely be Egyptian Arabic, with more than 50,000,000 native speakers — still greater than any other Semitic language.

The modern written language (Modern Standard Arabic) is derived from the language of the Quran (known as Classical Arabic or Quranic Arabic). It is widely taught in schools, universities, and used to varying degrees in workplaces, government and the media. The two formal varieties are grouped together as ''Literary Arabic'', which is the official language of 26 states and the liturgical language of Islam. Modern Standard Arabic largely follows the grammatical standards of Quranic Arabic and uses much of the same vocabulary. However, it has discarded some grammatical constructions and vocabulary that no longer have any counterpoint in the spoken varieties, and adopted certain new constructions and vocabulary from the spoken varieties. Much of the new vocabulary is used to denote concepts that have arisen in the post-Quranic era, especially in modern times.

Arabic is the only surviving member of the Old North Arabian dialect group, attested in Pre-Islamic Arabic inscriptions dating back to the 4th century. Arabic is written with the Arabic alphabet, which is an abjad script, and is written from right-to-left.

Arabic has lent many words to other languages of the Islamic world, like Malay, Turkish, Urdu, Hausa, Hindi and Persian. During the Middle Ages, Literary Arabic was a major vehicle of culture in Europe, especially in science, mathematics and philosophy. As a result, many European languages have also borrowed many words from it. Arabic influence is seen in Mediterranean languages, particularly Spanish, Portuguese, and Sicilian, owing to both the proximity of European and Arab civilizations and 700 years of Arab rule in some parts of the Iberian peninsula (see Al-Andalus).

Arabic has also borrowed words from many languages, including Hebrew, Greek, Persian and Syriac in early centuries, Turkish in medieval times and contemporary European languages in modern times. However, the current tendency is to coin new words using the existing lexical resources of the language, or to repurpose old words, rather than directly borrowing foreign words.

Classical, Modern Standard, and spoken Arabic

''Arabic'' usually designates one of three main variants: Classical Arabic; Modern Standard Arabic; ''colloquial'' or ''dialectal'' Arabic.

Classical Arabic is the language found in the Qur'an and used from the period of Pre-Islamic Arabia to that of the Abbasid Caliphate. Theoretically, Classical Arabic is considered normative, according to the syntactic and grammatical norms laid down by classical grammarians (such as Sibawayh), and the vocabulary defined in classical dictionaries (such as the ). In practice, however, modern authors almost never write in pure Classical Arabic, instead using a literary language with its own grammatical norms and vocabulary, commonly known as Modern Standard Arabic. This is the variety used in most current, printed Arabic publications, spoken by some of the Arabic media across North Africa and the Middle East, and understood by most educated Arabic speakers. "Literary Arabic" and "Standard Arabic" ( '''') are less strictly defined terms that may refer to Modern Standard Arabic or Classical Arabic.

Some of the differences between Classical Arabic (CA) and Modern Standard Arabic (MSA) are as follows:

Certain grammatical constructions of CA that have no counterpoint in any modern dialect (e.g. the energetic mood) are almost never used in MSA.

No modern spoken variety of Arabic has case distinctions. As a result, MSA is generally composed without case distinctions in mind, and the proper cases added after the fact, when necessary. (Because most case endings are noted using final short vowels, which are normally left unwritten in the Arabic script, it is unnecessary to determine the proper case of most words.) The practical result of this is that MSA is written in a strongly determined word order, and alternative orders that were used in CA for emphasis are rare. In addition, because of the lack of case marking in the spoken varieties, most speakers are not able to consistently use the correct endings in extemporaneous speech. As a result, spoken MSA tends to drop or regularize the endings except when reading from a prepared text.

In CA, the verb normally precedes the subject (VSO order); when the subject is fronted (SVO order), it is usually accompanied by the focusing particle ''''. MSA, following the spoken varieties, tends towards SVO order, and rarely uses ''''.

The numeral system in CA is extremely complex (rivaling that of the Russian language) and heavily tied in with the case system. This system is never used in MSA, even in the most formal of circumstances; instead, a significantly simplified system is used, approximating the system of the conservative spoken varieties.

MSA uses much Classical vocabulary (e.g. '''' "to go") that is not present in the spoken varieties. However, when multiple Classical synonyms are available, MSA tends to prefer words with cognates in the spoken varieties over words without cognates. In addition, MSA has borrowed or coined a large number of terms for concepts that did not exist in Quranic times (and in fact continues to evolve). Some words have been borrowed from other languages, notice that transliteration mainly indicates spelling not real pronunciation (e.g. '''' "film" or '''' "democracy"). However, the current preference is to avoid direct borrowings, preferring to either use loan translations (e.g. '''' "branch", also used for the branch of a company or organization; '''' "wing", also used for the wing of an airplane, building, air force, etc.) or to coin new words using existing lexical resources (e.g. '''' "corporation", '''' "socialism", both ultimately based on the verb '''' "to share, partner with"; '''' "university", based on '''' "to gather, unite"; '''' "republic", based on '''' "multitude"). An earlier tendency was to re-purpose older words that had fallen into disuse (e.g. '''' "telephone" < "invisible caller (in Sufism)"; '''' "newspaper" < "palm-leaf stalk").

''Colloquial'' or ''dialectal'' Arabic refers to the many national or regional varieties which constitute the everyday spoken language. Colloquial Arabic has many different regional variants; these sometimes differ enough to be mutually unintelligible and some linguists consider them distinct languages. The varieties are typically unwritten. They are often used in informal spoken media, such as soap operas and talk shows, as well as occasionally in certain forms of written media, such as poetry and printed advertising. The only variety of modern Arabic to have acquired official language status is Maltese, spoken in (predominately Roman Catholic) Malta and written with the Latin script. It is descended from Classical Arabic through Siculo-Arabic and is not mutually intelligible with other varieties of Arabic. Most linguists list it as a separate language rather than as a dialect of Arabic. Historically, Algerian Arabic was taught in French Algeria under the name ''darija''.

Note that even during Muhammad's lifetime, there were dialects of spoken Arabic. Muhammad spoke in the dialect of Mecca, in the western Arabian peninsula, and it was in this dialect that the Quran was written down. However, the dialects of the eastern Arabian peninsula were considered the most prestigious at the time, and so the language of the Quran was ultimately converted to follow the eastern phonology. It is this phonology that underlies the modern pronunciation of Classical Arabic. The phonological differences between these two dialects account for some of the complexities of Arabic writing, most notably the writing of the glottal stop or ''hamza'' (which was preserved in the eastern dialects but lost in western speech) and the use of '''' (representing a sound preserved in the western dialects but merged with '''' in eastern speech).

Language and dialect

The sociolinguistic situation of Arabic in modern times provides a prime example of the linguistic phenomenon of diglossia, which is the normal use of two separate varieties of the same language, usually in different social situations. In the case of Arabic, educated Arabs of any nationality can be assumed to speak both their local dialect and their school-taught Standard Arabic. When educated Arabs of different dialects engage in conversation (for example, a Moroccan speaking with a Lebanese), many speakers code-switch back and forth between the dialectal and standard varieties of the language, sometimes even within the same sentence. Arabic speakers often improve their familiarity with other dialects via music or film.

The issue of whether Arabic is one language or many languages is politically charged, similar to the issue with Chinese, Hindi and Urdu, Serbian and Croatian, etc. The issue of diglossia between spoken and written language is a significant complicating factor: A single written form, significantly different from any of the spoken varieties learned natively, unites a number of sometimes divergent spoken forms. For political reasons, Arabs mostly assert that they all speak a single language, despite significant issues of mutual incomprehensibility among differing spoken versions.

From a linguistic standpoint, it is often said that the various spoken varieties of Arabic differ among each other collectively about as much as the Romance languages. This is an apt comparison in a number of ways. The period of divergence from a single spoken form is similar—perhaps 1500 years for Arabic, 2000 years for the Romance languages. Also, a linguistically innovative variety such as Moroccan Arabic is essentially incomprehensible to all non-Moroccans other than Algerians and Tunisians, much as French is incomprehensible to Spanish or Italian speakers. However, there is some mutual comprehensibility between conservative varieties of Arabic even across significant geographical distances. This suggests that the spoken varieties, at least, should linguistically be considered separate languages.

On the other hand, a significant difference between Arabic and the Romance languages is that the latter also correspond to a number of different standard written varieties, each of which separately informs the related spoken varieties, while all spoken Arabic varieties share a single written language. Indeed, a similar situation exists with the Romance languages in the case of Italian. As spoken varieties, Milanese, Neapolitan and Sicilian (among others) are different enough to be largely mutually incomprehensible, yet since they share a single written form (Standard Italian), they are often said by Italians to be dialects of the same language. As in many similar cases, the extent to which the Italian varieties are locally considered dialects or separate languages depends to a large extent on political factors, which can change over time. Linguists are divided over whether and to what extent to incorporate such considerations when judging issues of language and dialect.

Influence of Arabic on other languages

The influence of Arabic has been most important in Islamic countries. Arabic is an important source of vocabulary for languages such as Baluchi, Bengali, Berber, Catalan, English, French, German, Gujarati, Hindustani, Italian, Indonesian, Kurdish, Malay, Malayali, Maltese, Pashto, Persian, Portuguese, Punjabi, Rohingya, Saraiki, Sindhi, Somali, Spanish, Swahili, Tagalog, Tamil, Turkish and Urdu as well as other languages in countries where these languages are spoken. For example, the Arabic word for ''book'' ( '''') has been borrowed in all the languages listed, with the exception of French, Spanish, Italian, Catalan and Portuguese which use the Latin-derived words "livre", "libro", "llibre" and "livro", respectively, German and English which use the Germanic "Buch" and "Book", Tagalog which uses "aklat", Hebrew which uses "sefer", Gujarati which uses "chopdi", Marathi which uses "pustak" and Bengali which uses "boi".

In addition, English has many Arabic loan words, some directly but most through the medium of other Mediterranean languages. Examples of such words include admiral, adobe, alchemy, alcohol, algebra, algorithm, alkaline, almanac, amber, arsenal, assassin, banana, candy, carat, cipher, coffee, cotton, hazard, jar, jasmine, lemon, loofah, magazine, mattress, sherbet, sofa, sugar, sumac, tariff and many other words. Other languages such as Maltese and Kinubi derive from Arabic, rather than merely borrowing vocabulary or grammar rules.

The terms borrowed range from religious terminology (like Berber "prayer" < salat) ( ''''), academic terms (like Uyghur ''mentiq'' "logic"), economic items (like English ''sugar'') to placeholders (like Spanish ''fulano'' "so-and-so") and everyday conjunctions (like Hindustani ''lekin'' "but", or Spanish ''hasta'' "until"). Most Berber varieties (such as Kabyle), along with Swahili, borrow some numbers from Arabic. Most Islamic religious terms are direct borrowings from Arabic, such as ''salat'' 'prayer' and ''imam'' 'prayer leader.' In languages not directly in contact with the Arab world, Arabic loanwords are often transferred indirectly via other languages rather than being transferred directly from Arabic.

For example, most Arabic loanwords in Hindustani entered through Persian, and many older Arabic loanwords in Hausa were borrowed from Kanuri. Some words in English and other European languages are derived from Arabic, often through other European languages, especially Spanish and Italian. Among them are commonly used words like "sugar" (''sukkar''), "cotton" ('''') and "magazine" (''''). English words more recognizably of Arabic origin include "algebra", "alcohol", "alchemy", "alkali", "zenith" and "nadir". Some words in common use, such as "intention" and "information", were originally calques of Arabic philosophical terms.

Arabic words also made their way into several West African languages as Islam spread across the Sahara. Variants of Arabic words such as ''kitaab'' (book) have spread to the languages of African groups who had no direct contact with Arab traders.

Arabic was influenced by other languages as well. The most important sources of borrowings into (pre-Islamic) Arabic are from the related (Semitic) languages Aramaic, which used to be the principal, international language of communication throughout the ancient Near and Middle East, Ethiopic, and to a lesser degree Hebrew (mainly religious concepts). In addition, a substantial number of cultural, religious and political terms that have entered Arabic was borrowed from Iranian, notably Middle Persian or Parthian, and to a lesser extent, (Classical) Persian.

As Arabic occupied a position similar to Latin (in Europe) throughout the Islamic world many of the Arabic concepts in the field of science, philosophy, commerce etc., were often coined by non-native Arabic speakers, notably by Aramaic and Persian translators. This process of using Arabic roots, notably in Turkish and Persian, to translate foreign concepts continued right until the 18th and 19th century, when large swaths of Arab-inhabited lands were under Ottoman rule.

Arabic and Islam

Classical Arabic is the language of the Qur'an. Arabic is closely associated with the religion of Islam because the Quran is written in the language, but it is nevertheless also spoken by Arab Christians, Mizrahi Jews and Iraqi Mandaeans. Most of the world's Muslims do not speak Arabic as their native language but many can read the Quranic script and recite the Qur'an. Among Non-Arab Muslims, translations of the Qur'an are most often accompanied by the original text.

Some Muslims present a monogenesis of languages and claim that the Arabic language was the language revealed by God for the benefit of mankind and the original language as a prototype symbolic system of communication, based upon its system of triconsonantal roots, spoken by man from which all other languages were derived, having first been corrupted. Statements spread in later centuries regarding the Arabic language being the language of Paradise are not considered authentic according to the scholars of Hadith and are widely discredited.

History

The earliest surviving texts in Proto-Arabic, or Ancient North Arabian, are the Hasaean inscriptions of eastern Saudi Arabia, from the 8th century BC, written not in the modern Arabic alphabet, nor in its Nabataean ancestor, but in variants of the epigraphic South Arabian ''musnad''. These are followed by 6th-century BC Lihyanite texts from southeastern Saudi Arabia and the Thamudic texts found throughout Arabia and the Sinai, and not actually connected with Thamud. Later come the Safaitic inscriptions beginning in the 1st century BC, and the many Arabic personal names attested in Nabataean inscriptions (which are, however, written in Aramaic). From about the 2nd century BC, a few inscriptions from Qaryat al-Fāw (near Sulayyil) reveal a dialect which is no longer considered "Proto-Arabic", but Pre-Classical Arabic. By the fourth century AD, the Arab kingdoms of the Lakhmids in southern Iraq, the Ghassanids in southern Syria the Kindite Kingdom emerged in Central Arabia. Their courts were responsible for some notable examples of pre-Islamic Arabic poetry, and for some of the few surviving pre-Islamic Arabic inscriptions in the Arabic script.

Dialects and descendants

''Colloquial Arabic'' is a collective term for the spoken varieties of Arabic used throughout the Arab world, which differ radically from the literary language. The main dialectal division is between the varieties within and outside of the Arabian peninsula, followed by that between sedentary varieties and the much more conservative Bedouin varieties. All of the varieties outside of the Arabian peninsula (which include the large majority of speakers) have a large number of features in common with each other that are not found in Classical Arabic. This has led researchers to postulate the existence of a prestige koine dialect in the one or two centuries immediately following the Arab conquest, whose features eventually spread to all of the newly conquered areas. (These features are present to varying degrees inside the Arabian peninsula. Generally, the Arabian peninsula varieties have much more diversity than the non-peninsula varieties, but have been understudied.)

Within the non-peninsula varieties, the largest difference is between the non-Egyptian North African dialects (especially Moroccan Arabic) and the others. Moroccan Arabic in particular is nearly incomprehensible to Arabic speakers east of Algeria (although the converse is not true, in part due to the popularity of Egyptian films and other media).

One factor in the differentiation of the dialects is influence from the languages previously spoken in the areas, which have typically provided a significant number of new words, and have sometimes also influenced pronunciation or word order; however, a much more significant factor for most dialects is, as among Romance languages, retention (or change of meaning) of different classical forms. Thus Iraqi ''aku'', Levantine ''fīh'', and North African ''kayən'' all mean "there is", and all come from Classical Arabic forms (''yakūn'', ''fīhi'', ''kā'in'' respectively), but now sound very different.

Examples

{| class=wikitable ! Variety ! I love reading a lot ! When I went to the library ! I only found this old book ! I wanted to read a book about the history of women in France. |- ! Classical Arabic (liturgical or poetic only) | '''' | '''' | '''' | '''' |- ! Modern Standard Arabic | '''' | '''' | '''' | '''' |- ! Moroccan | | | | |- ! Tunisian | | | | |- ! Egyptian | | | | |- ! Lebanese | | | | |- ! Iraqi | | | | |- ! Saudi | | | | |- ! Kuwaiti | | | | |}

Koine

According to Charles Ferguson, the following are some of the characteristic features of the koine that underlies all of the modern dialects outside the Arabian peninsula. Although many other features are common to most or all of these varieties (see varieties of Arabic), Ferguson believes that these features in particular are unlikely to have evolved independently more than once or twice, and together suggest the existence of the koine:

Loss of the dual (grammatical number) except on nouns, with consistent plural agreement (cf. feminine singular agreement in plural inanimates).

Change of ''a'' to ''i'' in many affixes (e.g. non-past-tense prefixes ''ti- yi- ni-''; ''wi-'' "and"; ''il-'' "the"; feminine ''-it'' in the construct state).

Loss of third-weak verbs ending in ''w'' (which merge with verbs ending in ''y'').

Reformation of geminate verbs, e.g. ''ḥalaltu'' "I untied" → ''ḥalēt(u)''.

Conversion of separate words ''lī'' "to me", ''laka'' "to you", etc. into indirect-object clitic suffixes.

Certain changes in the cardinal number system, e.g. ''ḫamsat ʾayyām'' →''ḫams tiyyām'', where certain words have a special plural with prefixed ''t''. Also, unexpected emphatic ''ṭ'' in the numbers 13-19 (e.g. ''ḫamṣṭaʿšar'' "fifteen" < ''ḫamsat ʿašar'').

Loss of the feminine elative (comparative).

Adjective plurals of the form ''kibār'' "big" → ''kubār''.

Change of nisba suffix ''-iyy'' → ''i''.

Certain lexical items, e.g. ''ǧāb'' "bring" < ''ǧāʾ bi-'' "come with"; ''šāf'' "see"; ''ʾēš'' "what" (or similar); ''illi'' "(relative pronoun)".

Merger of and .

Dialect groups

The major dialect groups are:

Egyptian Arabic

Egyptian Arabic, spoken by around 80 million in Egypt. It is one of the most understood varieties of Arabic, due in large part to the widespread distribution of Egyptian films and television shows throughout the Arabic speaking world. Closely related varieties are also spoken in Sudan.

Maghrebi Arabic

Maghrebi Arabic includes Moroccan Arabic, Algerian Arabic, Saharan Arabic, Tunisian Arabic, and Libyan Arabic, and is spoken by around 75 million North Africans in Morocco, ''Western Sahara'', Algeria, Tunisia, Libya, Niger, and western Egypt; it is often difficult for speakers of Middle Eastern Arabic varieties to understand. The Berber influence in these dialects varies in degree.

Mesopotamian Arabic

Iraqi Arabic, spoken by about 29 million people in Iraq, eastern Syria and western Iran (Khuzestan).

North Mesopotamian Arabic, spoken by around 7 million people in northern Iraq, northern Syria, northwestern Iran and southern Turkey.

Levantine Arabic

Levantine Arabic includes North Levantine Arabic, South Levantine Arabic, and Cypriot Arabic. It is spoken by almost 35 million people in Lebanon, Syria, Jordan, the Palestinian territories, Israel, Cyprus, and Turkey.

Gulf Arabic

Gulf Arabic, spoken by around 4 million people predominantly in the United Arab Emirates, Kuwait, Oman, Saudi Arabia, Qatar, and Bahrain. Also spoken in Iran's Bushehr and Hormozgan provinces.

Other

Other varieties include:

Yemeni Arabic, spoken in Yemen, southern Saudi Arabia, Djibouti, and Somalia.

Sudanese Arabic (19 million speakers), spoken in Sudan

Najdi Arabic (9.9 million speakers), spoken in Nejd, central Saudi Arabia

Hejazi Arabic (7 million speakers), spoken in Hejaz, western Saudi Arabia.

Hassaniya Arabic (2.8 million speakers), spoken in Mauritania, some parts of Mali and ''Western Sahara''

Bahrani Arabic (310,000 speakers), spoken by Bahrani Shia in Bahrain, where it exhibits some differences from Bahraini Arabic. It is also spoken to a lesser extent in Oman.

Judeo-Arabic dialects

Central Asian Arabic, spoken in Uzbekistan, Tajikistan and Afghanistan, is highly endangered

Maltese, spoken on the Mediterranean island of Malta, is the only one to have established itself as a fully separate language, with independent literary norms. In the course of its history the language has adopted numerous loanwords, phonetic and phonological features, and even some grammatical patterns, from Italian, Sicilian, and English. It is also the only Semitic tongue written in the Latin script.

Andalusi Arabic, spoken in Spain until 15th century, now extinct.

Siculo Arabic, spoken on Sicily, South Italy until 14th century, developed into Maltese language.

The Muslim Hui people in China had knowledge of archaic forms of Arabic. The Hui of Yunnan (Burmaese called them Panthays) were reported to be fluent in Arabic. During the Panthay Rebellion, Arabic replaced Chinese as official language of the rebel kingdom. In 1844 "The Chinese repository, Volume 13" was published, including an account of an Englishman who stayed in Ningbo in China. There he visited the local mosque, the Hui running the mosque was from Shandong, and he was a descendant of Muslims from the city of Medina. He spoke both Arabic and Chinese, and could read Arabic as well. In Tianjin, Hui could speak an old, archaic form of Arabic, when they met Arab Muslims in recent times, it was found out that Old Arabic and Modern Arabic were very different, so Modern Arabic is now being taught to Hui.

Sounds

It is important to distinguish between the pronunciation of the "formal" Literary Arabic (usually specifically Modern Standard Arabic) and the "colloquial" spoken varieties of Arabic. The two types of Arabic, but significantly different. The "colloquial" varieties are learned at home and constitute the native languages of Arabic speakers. The literary variety is learned at school; although many speakers have a native-like command of the language, it is technically not the native language of any speakers. Both varieties can be both written and spoken, although the colloquial varieties are rarely written down, and the formal variety is spoken mostly in formal circumstances, e.g. in radio broadcasts, formal lectures, parliamentary discussions, and to some extent between speakers of different colloquial varieties. Even when the literary language is spoken, however, it is normal only spoken in its pure form when reading a prepared text out loud. When speaking extemporaneously (i.e. making up the language on the spot, as in a normal discussion among people), speakers tend to deviate somewhat from the strict literary language in the direction of the colloquial varieties. In fact, there is a continuous range of "in-between" spoken varieties: from nearly pure Modern Standard Arabic (MSA), to a form that still uses MSA grammar and vocabulary but with significant colloquial influence, to a form of the colloquial language that imports a number of words and grammatical constructions in MSA, to a form that is close to pure colloquial but with the "rough edges" (the most noticeably "vulgar" or non-Classical aspects) smoothed out, to pure colloquial. The particular variant (or ''register'') used depends on the social class and education level of the speakers involved, and the level of formality of the speech situation. Often it will vary within a single encounter, e.g. moving from nearly pure MSA to a more mixed language in the process of a radio interview, as the interviewee becomes more comfortable with the interviewer. This type of variation is characteristic of the diglossia that exists throughout the Arabic-speaking world.

Literary Arabic

Although Modern Standard Arabic (MSA) is a unitary language, its pronunciation varies somewhat from country to country and from region to region within a country. The variation in individual "accents" of MSA speakers tend to mirror corresponding variations in the colloquial speech of the speakers in question, but with the distinguishing characteristics moderated somewhat. Note that it is important in descriptions of "Arabic" phonology to distinguish between pronunciation of a given colloquial (spoken) dialect and the pronunciation of MSA by these same speakers. Although they are related, they are not the same. For example, the phoneme that derives from Proto-Semitic /g/ has many different pronunciations in the modern spoken varieties, e.g. . Speakers whose native variety has either or will use the same pronunciation when speaking MSA, even speakers from Cairo, whose native Egyptian Arabic has , normally use when speaking MSA. of Persian Gulf is the only pronunciation which isn't pronounced in MSA, but instead .

Another example: Many colloquial varieties are known for a type of vowel harmony in which the presence of an "emphatic consonant" triggers backed allophones of nearby vowels (especially of the low vowels , which are backed to in these circumstances, and very often fronted to in all other circumstances). In many spoken varieties, the backed or "emphatic" vowel allophones spread a fair distance in both directions from the triggering consonant; in some varieties (most notably Egyptian Arabic), the "emphatic" allophones spread throughout the entire word, usually including prefixes and suffixes, even at a remove of several syllables from the triggering consonant. Speakers of colloquial varieties with this vowel harmony tend to introduce it into their MSA pronunciation as well, but usually with a lesser degree of spreading than in the colloquial varieties. (For example, speakers of colloquial varieties with extremely long-distance harmony may allow a moderate, but not extreme, amount of spreading of the harmonic allophones in their MSA speech, while speakers of colloquial varieties with moderate-distance harmony may only harmonize immediately adjacent vowels in MSA.)

Vowels

Modern Standard Arabic has six pure vowels, with short and corresponding long vowels . There are also two diphthongs: and .

As mentioned above, the pronunciation of the vowels differs from speaker to speaker, in way that tend to echo the pronunciation of the corresponding colloquial variety. Nonetheless, there are some common trends. Most noticeable is the differing pronunciation of and , which tend towards fronted , or in most situations, but a back in the neighborhood of emphatic consonants. (Some accents and dialects, such as those of Hijaz, have central in all situations.) The vowels and are often affected somewhat in emphatic neighborhoods as well, with generally more back and/or centralized allophones, but the differences are less great than for the low vowels. The pronunciation of short and tends towards and in many dialects.

The definition of both "emphatic" and "neighborhood" vary in ways that echo (to some extent) corresponding variations in the spoken dialects. Generally, the consonants triggering "emphatic" allophones are the pharyngealized consonants ; ; and , if not followed immediately by . Frequently, the fricatives also trigger emphatic allophones; occasionally also the pharyngeal consonants (the former more than the latter). Many dialects have multiple emphatic allophones of each vowel, depending on the particular nearby consonants. In most MSA accents, emphatic coloring of vowels is limited to vowels immediately adjacent to a triggering consonant, although in some it spreads a bit farther: e.g. '''' "time"; '''' "homeland"; '''' "downtown" (sometimes or similar).

In a non-emphatic environment, the vowel /a/ in the diphthong tends to be fronted even more than elsewhere, often pronounced or : hence '''' "sword" but '''' "summer"). However, in accents with no emphatic allophones of /a/ (e.g. in the Hijaz), the pronunciation occurs in all situations.

Consonants

+ Standardized Arabic consonant phonemes

! rowspan="2"

! colspan="2"

! rowspan="2"

! rowspan="2"

! rowspan="2"

! rowspan="2"

! rowspan="2"

! plain

emphatic">Dental consonant

! rowspan="2"

! rowspan="2"

! rowspan="2"

! rowspan="2"

! rowspan="2"

! rowspan="2"

! plain

emphatic

emphatic consonant>emphatic

! plain

! colspan=2

! rowspan=2

! voiceless

voice (phonetics)>voiced

3

! rowspan=2

! voiceless

4

voice (phonetics)>voiced

! colspan=2

2

! colspan=2

NOTE: The underlined variants in the above table indicate the pronunciations considered "standard" according to descriptions in linguistic sources; the same pronunciations are normally taught to foreigners learning Literary Arabic. (The sources disagree about whether the sounds indicated above as ~ and ~ are more standardly or , or are unclear.)

See Arabic alphabet for explanations on the IPA phonetic symbols found in this chart.

# This phoneme is represented by the Arabic letter '''' () and has many standard pronunciations. is characteristic of Iraq and most of the Arabian peninsula; occurs in the Levant and North Africa; and is used in Egypt and some regions in Yemen and Oman. Generally this corresponds with the pronunciation in the colloquial dialects. In some regions in Sudan and Yemen, as well as in some Sudanese and Yemeni dialects, it may be either or , representing the original pronunciation of Classical Arabic. Foreign words containing may be transcribed with , , , , , or , mainly depending on the regional spoken variety of Arabic. Note also that in northern Egypt, where the Arabic letter '''' () is normally pronounced , a separate phoneme occurs in a small number of European loanwords, e.g. "jacket". # is pronounced in , the name of God, q.e. Allah, when the word follows ''a'', ''ā'', ''u'' or ''ū'' (after ''i'' or ''ī'' it is unvelarized: ''bismi l–lāh'' ). Some speakers velarize other occurrences of /l/ in MSA, in imitation of their spoken dialects. # The emphatic consonant was actually pronounced , or possibly — either way, a highly unusual sound. The medieval Arabs actually termed their language '''' "the language of the Ḍād" (the name of the letter used for this sound), since they thought the sound was unique to their language. (In fact, it also exists in a few other minority Semitic languages, e.g. Mehri.) # In many varieties, () are actually epiglottal (despite what is reported in many earlier works). # and () are often post-velar, though velar and uvular pronunciations are also possible. # () can be pronounced as or even . In some places of Maghreb it can be also pronounced as .

Arabic has consonants traditionally termed "emphatic" (), which exhibit simultaneous pharyngealization as well as varying degrees of velarization , so they may be written with the "Velarized or pharyngealized" diacritic () as: . This simultaneous articulation is described as "Retracted Tongue Root" by phonologists. In some transcription systems, emphasis is shown by capitalizing the letter, for example, is written ‹D›; in others the letter is underlined or has a dot below it, for example, ‹›.

Vowels and consonants can be phonologically short or long. Long (geminate) consonants are normally written doubled in Latin transcription (i.e. bb, dd, etc.), reflecting the presence of the Arabic diacritic mark '''', which indicates doubled consonants. In actual pronunciation, doubled consonants are held twice as long as short consonants. This consonant lengthening is phonemically contrastive: '''' "he accepted" vs. '''' "he kissed."

Syllable structure

Arabic has two kinds of syllables: open syllables (CV) and (CVV)—and closed syllables (CVC), (CVVC), and (CVCC). The syllable types with three morae (units of time), i.e. CVC and CVV, are termed ''heavy syllables'', while those with four morae, i.e. CVVC and CVCC, are ''superheavy syllables''. Superheavy syllables in Classical Arabic occur in only two places: at the end of the sentence (due to pausal pronunciation), and in words such as '''' "hot", '''' "stuff, substance", '''' "they disputed with each other", where a long '''' occurs before two identical consonants (a former short vowel between the consonants has been lost). (In less formal pronunciations of Modern Standard Arabic, superheavy syllables are common at the end of words or before clitic suffixes such as '''' "us, our", due to the deletion of final short vowels.)

In surface pronunciation, every vowel must be preceded by a consonant (which may include the glottal stop ). There are no cases of hiatus within a word (where two vowels occur next to each other, without an intervening consonant). Some words do underlyingly begin with a vowel, such as the definite article ''al-'' or words such as '''' "he bought", '''' "meeting". When actually pronounced, one of three things happens: If the word occurs after another word ending in a consonant, there is a smooth transition from final consonant to initial vowel, e.g. '''' "meeting" . If the word occurs after another word ending in a vowel, the initial vowel of the word is elided, e.g. '''' "house of the director" . If the word occurs at the beginning of an utterance, a glottal stop is added onto the beginning, e.g. '''' "The house is ..." .

Stress

Word stress is not phonemically contrastive in Standard Arabic. It bears a strong relationship to vowel length. The basic rules for Modern Standard Arabic are:

A final vowel, long or short, may not be stressed.

Only one of the last three syllables may be stressed.

Given this restriction, the last heavy syllable (containing a long vowel or ending in a consonant) is stressed.

If there is no such syllable, the first possible syllable (i.e. third from end) is stressed.

As a special exception, in Form VII and VIII verb forms stress may not be on the first syllable, despite the above rules: Hence '''' "he subscribed" (whether or not the final short vowel is pronounced), '''' "he subscribes" (whether or not the final short vowel is pronounced), '''' "he should subscribe (juss.)". Likewise Form VIII '''' "he bought", '''' "he buys".

Examples:'''' "book", '''' "writer", '''' "desk", '''' "desks", '''' "library" (but '''' "library" in short pronunciation), '''' (Modern Standard Arabic) "they wrote" = '''' (dialect), '''' (Modern Standard Arabic) "they wrote it" = '''' (dialect), '''' (Modern Standard Arabic) "they (dual, fem) wrote", '''' (Modern Standard Arabic) "I wrote" = '''' (short form or dialect). Doubled consonants count as two consonants: '''' "magazine", '''' "place".

These rules may result in differently-stressed syllables when final case endings are pronounced, vs. the normal situation where they are not pronounced, as in the above example of '''' "library" in full pronunciation, but '''' "library" in short pronunciation.

The restriction on final long vowels does not apply to the spoken dialects, where original final long vowels have been shortened and secondary final long vowels have arisen from loss of original final ''-hu/hi''.

Some dialects have different stress rules. In the Cairo (Egyptian Arabic) dialect a heavy syllable may not carry stress more than two syllables from the end of a word, hence '''' "school", '''' "Cairo". This also affects the way that Modern Standard Arabic is pronounced in Egypt. In the Arabic of Sana, stress is often retracted: '''' "two houses", '''' "their table", '''' "desks", '''' "sometimes", '''' "their school". (In this dialect, only syllables with long vowels or diphthongs are considered heavy; in a two-syllable word, the final syllable can be stressed only if the preceding syllable is light; and in longer words, the final syllable cannot be stressed.)

Levels of pronunciation

The final short vowels (e.g. the case endings ''-a -i -u'' and mood endings ''-u -a'') are often not pronounced, despite forming part of the formal paradigm of nouns and verbs. The following levels of pronunciation exist:

Full pronunciation

In full pronunciation, all endings are pronounced as written. This normally is used only in grammatical descriptions of the language.

Full pronunciation with pausa

This is the most formal level actually used in speech. All endings are pronounced as written, except at the end of an utterance, where the following changes occur:

Final short vowels are not pronounced. (But possibly an exception is made for feminine plural ''-na'', and shortened vowels in the jussive/imperative of defective verbs, e.g. ''irmi!'' "throw!".)

The entire indefinite noun endings ''-in -un'' (with nunation) are left off. The ending ''-an'' is left off of nouns preceded by a ''tāʾ marbūṭah'' ة (i.e. the ''-t'' in the ending ''-at-'' that typically marks feminine nouns), but pronounced as ''-ā'' in other nouns (hence its writing in this fashion in the Arabic script).

The ''tāʾ marbūṭah'' itself (typically of feminine nouns) is pronounced as ''h''. (At least, this is the case in extremely formal pronunciation, e.g. some Quranic recitations. In practice, this ''h'' is usually omitted.)

Formal short pronunciation

This is a formal level of pronunciation sometimes seen. It is somewhat like pronouncing all words as if they were in pausal position (with influence from the colloquial varieties). The following changes occur:

Most final short vowels are not pronounced. However, the following short vowels ''are'' pronounced:

*feminine plural ''-na''

*shortened vowels in the jussive/imperative of defective verbs, e.g. ''irmi!'' "throw!"

*second-person singular feminine past-tense ''-ti'', and likewise ''ʾanti'' "you (fem. sg.)"

*sometimes, first-person singular past-tense ''-tu''

*sometimes, second-person masculine past-tense ''-ta'', and likewise ''ʾanta'' "you (masc. sg.)"

*final ''-a'' in certain short words, e.g. ''laysa'' "is not", ''sawfa'' "(future-tense marker)"

The nunation endings ''-an -in -un'' are not pronounced. However, they ''are'' pronounced in adverbial accusative formations, e.g. '''' تقريباً "almost, approximately", '''' عادةً "usually". The ''tāʾ marbūṭah'' ending ة is unpronounced, ''except'' in construct state nouns, where it sounds as ''t'' (and in adverbial accusative constructions, e.g. '''' عادةً "usually", where the entire ''-tan'' is pronounced). The masculine singular nisba ending '''' is actually pronounced '''', and is unstressed (but plural and feminine singular forms, i.e. when followed by a suffix, still sound as ''''). ''Full endings'' (including case endings) occur when a clitic object or possessive suffix is added (e.g. '''' "us/our").

Informal short pronunciation

This is the pronunciation used by speakers of Modern Standard Arabic in extemporaneous speech, i.e. when producing new sentences rather than simply reading a prepared text. It is similar to formal short pronunciation except that the rules for dropping final vowels apply ''even'' when a clitic suffix is added. Basically, short-vowel case and mood endings are never pronounced, and certain other changes occur that echo the corresponding colloquial pronunciations. Specifically:

All the rules for formal short pronunciation apply, except as follows.

The past tense singular endings written formally as ''-tu -ta -ti'' are pronounced ''-t -t -ti''. But masculine '''' is pronounced in full. Unlike in formal short pronunciation, the rules for dropping or modifying final endings are also applied when a clitic object or possessive suffix is added (e.g. '''' "us/our"). If this produces a sequence of three consonants, then one of the following happens, depending on the speaker's native colloquial variety:

*A short vowel (e.g. ''-i-'' or ''-ǝ-'') is consistently added, either between the second and third or the first and second consonants.

*Or, a short vowel is added only if an otherwise unpronounceable sequence occurs, typically due to a violation of the sonority hierarchy (e.g. ''-rtn-'' is pronounced as a three-consonant cluster, but ''-trn-'' needs to be broken up).

*Or, a short vowel is never added, but consonants like ''r l m n'' occurring between two other consonants will be pronounced as a syllabic consonant (as in the English words "butter bottle bottom button").

*When a doubled consonant occurs before another consonant (or finally), it is often shortened to a single consonant rather than a vowel added. (But note that Moroccan Arabic never shortens doubled consonants or inserts short vowels to break up clusters, instead tolerating arbitrary-length series of arbitrary consonants, and hence Moroccan Arabic speakers are likely to follow the same rules in their pronunciation of Modern Standard Arabic.)

The clitic suffixes themselves tend also to be changed, in a way that avoids many possible occurrences of three-consonant clusters. In particular, ''-ka -ki -hu'' generally sound as ''-ak -ik -uh''.

Final long vowels are often shortened, merging with any short vowels that remain.

Depending on the level of formality, the speaker's education level, etc., various grammatical changes may occur in ways that echo the colloquial variants:

Any remaining case endings (e.g. masculine plural nominative ''-ūn'' vs. oblique ''-īn'') will be leveled, with the oblique form used everywhere. (However, in words like '''' "father" and '''' "brother" with special long-vowel case endings in the construct state, the nominative is used everywhere, hence '''' "father of", '''' "brother of".)

*Feminine plural endings in verbs and clitic suffixes will often drop out, with the masculine plural endings used instead. If the speaker's native variety has feminine plural endings, they may be preserved, but will often be modified in the direction of the forms used in the speaker's native variety, e.g. ''-an'' instead of ''-na''.

*Dual endings will often drop out except on nouns, and then used only for emphasis (similar to their use in the colloquial varieties); elsewhere, the plural endings are used (or feminine singular, if appropriate).

Colloquial varieties

: ''The section below only refers to pronunciation''

Vowels

As mentioned above, many spoken dialects have a process of ''emphasis spreading'', where the "emphasis" (pharyngealization) of emphatic consonants spreads forward and back through adjacent syllables, pharyngealizing all nearby consonants and triggering the back allophone in all nearby low vowels. The extent of emphasis spreading varies. For example, in Moroccan Arabic, it spreads as far as the first full vowel (i.e. sound derived from a long vowel or diphthong) on either side; in many Levantine dialects, it spreads indefinitely, but is blocked by any or ; while in Egyptian Arabic, it usually spreads throughout the entire word, including prefixes and suffixes. In Moroccan Arabic, also have emphatic allophones .

Unstressed short vowels, especially , are deleted in many contexts. Many sporadic examples of short vowel change have occurred (especially /a/→/i/, and interchange /i/↔/u/). Most Levantine dialects merge short /i u/ into /ǝ/ in most contexts (all except directly before a single final consonant). In Moroccan Arabic, on the other hand, short /u/ triggers labialization of nearby consonants (especially velar consonants and uvular consonants), and then short /a i u/ all merge into /ǝ/, which is deleted in many contexts. (The labialization plus /ǝ/ is sometimes interpreted as an underlying phoneme .) This essentially causes the wholesale loss of the short-long vowel distinction, with the original long vowels remaining as half-long , phonemically , which are used to represent ''both'' short and long vowels in borrowings from Literary Arabic.

Most spoken dialects have monophthongized original to (in all circumstances, including adjacent to emphatic consonants). In Moroccan Arabic, these have subsequently merged into original .

Consonants

In some dialects, there may be more or fewer phonemes than those listed in the chart above. For example, non-Arabic is used in the Maghrebi dialects as well in the written language mostly for foreign names. Semitic became extremely early on in Arabic before it was written down; a few modern Arabic dialects, such as Iraqi (influenced by Persian and Turkish) distinguish between and . The Iraqi Arabic uses also sounds , and uses Persian adding letters, e.g.: '''' – ''a plum''; '' – ''a truffle'' and so on.

Early in the expansion of Arabic, the separate emphatic phonemes and coalesced into a single phoneme . Many dialects (such as Egyptian, Levantine, and much of the Maghreb) subsequently lost fricatives, converting into . Most dialects borrow "learned" words from the Standard language using the same pronunciation as for inherited words, but some dialects without interdental fricatives (particularly in Egypt and the Levant) render original in borrowed words as .

Another key distinguishing mark of Arabic dialects is how they render the original velar and uvular stops , (Proto-Semitic ), and : retains its original pronunciation in widely scattered regions such as Yemen, Morocco, and urban areas of the Maghreb. It is pronounced as a glottal stop in several prestige dialects, such as those spoken in Cairo, Beirut and Damascus. But it is rendered as a voiced velar stop in Gulf Arabic, Iraqi Arabic, Upper Egypt, much of the Maghreb, and less urban parts of the Levant (e.g. Jordan). Some traditionally Christian villages in rural areas of the Levant render the sound as , as do Shia Bahrainis. In some Gulf dialects, it is palatalized to or . It is pronounced as a voiced uvular constrictive in Sudanese Arabic. Many dialects with a modified pronunciation for maintain the pronunciation in certain words (often with religious or educational overtones) borrowed from the Classical language. is pronounced as an affricate in Iraq and much of the Arabian Peninsula, but is pronounced in most of North Egypt and parts of Yemen and Oman, in Morocco, Tunisia and the Levant, and , in most words in much of Gulf Arabic. usually retains its original pronunciation, but is palatalized to in many words in Israel & the Palestinian Territories, Iraq and much of the Arabian Peninsula. Often a distinction is made between the suffixes (you, masc.) and (you, fem.), which become and , respectively. In Sana'a, Omani, and Bahrani is pronounced .

Pharyngealization of the emphatic consonants tends to weaken in many of the spoken varieties, and to spread from emphatic consonants to nearby sounds. In addition, the "emphatic" allophone automatically triggers pharyngealization of adjacent sounds in many dialects. As a result, it may difficult or impossible to determine whether a given coronal consonant is phonemically emphatic or not, especially in dialects with long-distance emphasis spreading. (A notable exception is the sounds vs. in Moroccan Arabic, because the former is pronounced as an affricate but the latter is not.)

Grammar

Literary Arabic

As in other Semitic languages, Arabic has a complex and unusual morphology (i.e. method of constructing words from a basic root). Arabic has a nonconcatenative "root-and-pattern" morphology: A root consists of a set of bare consonants (usually three), which are fitted into a discontinuous pattern in order to form words. For example, the word for "I wrote" is constructed by combining the root "write" with the pattern "I X'd" to form '''' "I wrote". Other verbs meaning "I X'd" will typically have the same pattern but with different consonants, e.g. '''' "I read", '''' "I ate", '''' "I went", although other patterns are possible (e.g. '''' "I drank", '''' "I said", '''' "I spoke", where the subpattern used to signal the past tense may change but the suffix '''' is always used).

From a single root , numerous words can be formed by applying different patterns: '''' "I wrote" '''' "I had (something) written" '''' "I corresponded (with someone)" '''' "I dictated" '''' "I subscribed" '''' "we corresponded with each other" '''' "I write" '''' "I have (something) written" '''' "I correspond (with someone)" '''' "I dictate" '''' "I subscribe" '''' "We correspond each other" '''' "it was written" '''' "it was dictated" '''' "written" '''' "dictated" '''' "book" '''' "books" '''' "writer" '''' "writers" '''' "desk, office" '''' "library"

etc.

Nouns and adjectives

Nouns in Literary Arabic have three grammatical cases (nominative, accusative, and genitive [also used when the noun is governed by a preposition]); three numbers (singular, dual and plural); two genders (masculine and feminine); and three "states" (indefinite, definite, and construct). The cases of singular nouns (other than those that end in long ā) are indicated by suffixed short vowels (/-u/ for nominative, /-a/ for accusative, /-i/ for genitive).

The feminine singular is often marked by /-at/, which is reduced to /-ah/ or /-a/ before a pause. Plural is indicated either through endings (the sound plural) or internal modification (the broken plural). Definite nouns include all proper nouns, all nouns in "construct state" and all nouns which are prefixed by the definite article /al-/. Indefinite singular nouns (other than those that end in long ā) add a final /-n/ to the case-marking vowels, giving /-un/, /-an/ or /-in/ (which is also referred to as nunation or tanwīn).

Adjectives in Literary Arabic are marked for case, number, gender and state, as for nouns. However, the plural of all non-human nouns is always combined with a singular feminine adjective, which takes the /-ah/ or /-at/ suffix.

Pronouns in Literary Arabic are marked for person, number and gender. There are two varieties, independent pronouns and enclitics. Enclitic pronouns are attached to the end of a verb, noun or preposition and indicate verbal and prepositional objects or possession of nouns. The first-person singular pronoun has a different enclitic form used for verbs (/-ni/) and for nouns or prepositions (/-ī/ after consonants, /-ya/ after vowels).

Nouns, verbs, pronouns and adjectives agree with each other in all respects. However, non-human plural nouns are grammatically considered to be feminine singular. Furthermore, a verb in a verb-initial sentence is marked as singular regardless of its semantic number when the subject of the verb is explicitly mentioned as a noun. Numerals between three and ten show "chiasmic" agreement, in that grammatically masculine numerals have feminine marking and vice versa.

Verbs

Verbs in Literary Arabic are marked for person (first, second, or third), gender, and number. They are conjugated in two major paradigms (past and non-past); two voices (active and passive); and five moods (indicative, imperative, subjunctive, jussive and energetic). There are also two participles (active and passive) and a verbal noun, but no infinitive.

The past and non-past paradigms are sometimes also termed perfective and imperfective, respectively, indicating the fact that they actually represent a combination of tense and aspect. The moods other than the indicative occur only in the non-past, and the future tense is signaled by prefixing '''' or '''' onto the non-past. The past and non-past differ in the form of the stem (e.g. past '''' vs. non-past ''''), and also use completely different sets of affixes for indicating person, number and gender: In the past, the person, number and gender are fused into a single suffixal morpheme, while in the non-past, a combination of prefixes (primarily encoding person) and suffixes (primarily encoding gender and number) are used. The passive voice uses the same person/number/gender affixes but changes the vowels of the stem.

The following shows a paradigm of a regular Arabic verb, '''' "to write". Note that in Modern Standard Arabic, many final short vowels are dropped (indicated in parentheses below), and the energetic mood (in either long or short form, which have the same meaning) is almost never used.

+ Paradigm of a regular Form I Arabic verb, '''' "to write"
			Past	PresentIndicative	FutureIndicative	Subjunctive	! align="center"	! align="center"	! align="center"	! align="center"
Active	Singular
	1st
	2nd	masculine
		feminine
	3rd	masculine
		feminine
	Dual
	2nd	masculine & feminine
	3rd	masculine
		feminine
	Plural
	1st
	2nd	masculine
		feminine
	3rd	masculine
		feminine
Passive	Singular
	1st
	2nd	masculine
		feminine
	etc.
Nominal	Active Participle				Passive Participle			Verbal Noun

Derivation

Unlike in most languages, Arabic has virtually no means of deriving words by adding prefixes or suffixes to words. Instead, they are formed according to a limited (but fairly large) number of templates applied to roots.

For verbs, a given root can construct up to fifteen different verbs, each with one or more characteristic meanings and each with its own templates for the past and non-past stems, active and passive participles, and verbal noun. These are referred to by Western scholars as "Form I", "Form II", and so on through "Form XV" (although Forms XI to XV are rare). These forms encode concepts such as the causative, intensive and reflexive. These forms can be viewed as analogous to verb conjugations in languages such as Spanish in terms of the additional complexity of verb formation that they induce. (Note, however, that their usage in constructing vocabulary is somewhat different, since the same root can be conjugated in multiple forms, with different shades of meaning.)

Examples of the different verbs formed from the root '''' "write" (using '''' "red" for Form IX, which is limited to colors and physical defects): {|class="wikitable" ! Form !! Past !! Meaning !! Non-past !! Meaning |- | I || '''' || "he wrote" || '''' || "he writes" |- | II || '''' || "he made (someone) write" || '''' || "he makes (someone) write" |- | III || '''' || "he corresponded with, wrote to (someone)" || '''' || "he corresponds with, writes to (someone)" |- | IV || '''' || "he dictated" || '''' || "he dictates" |- | V || '''' || ''nonexistent'' || '''' || ''nonexistent'' |- | VI || '''' || "he corresponded (with someone, esp. mutually)" || '''' || "he corresponds (with someone, esp. mutually)" |- | VII || '''' || "he subscribed" || '''' || "he subscribes" |- | VIII || '''' || "he copied" || '''' || "he copies" |- | IX || '''' || "he turned red" || '''' || "he turns red" |- | X || '''' || "he asked (someone) to write" || '''' || "he asks (someone) to write" |- |}

Form II is sometimes used to create transitive denominative verbs (verbs built from nouns); Form V is the equivalent used for intransitive denominatives.

The associated participles and verbal nouns of a verb are the primary means of forming new lexical nouns in Arabic. This is similar to the process by which, for example, the English gerund "meeting" (similar to a verbal noun) has turned into a noun referring to a particular type of social, often work-related event where people gather together to have a "discussion" (another lexicalized verbal noun). Another fairly common means of forming nouns is through one of a limited number of patterns that can be applied directly to roots, such as the "nouns of location" in ''ma-'' (e.g. '''' "desk, office" < ''k-t-b'' "write", '''' "kitchen" < ''ṭ-b-x'' "cook").

The only three genuine suffixes are as follows: The feminine suffix ''-ah''; variously derives terms from women from related terms for men, or more generally terms along the same lines as the corresponding masculine, e.g. '''' "library" (also a writing-related place, but different than '''', as above).

The nisba suffix ''-iyy-''. This suffix is extremely productive, and forms adjectives meaning "related to X". It corresponds to English adjectives in ''-ic, -al, -an, -y, -ist'', etc.

The feminine nisba suffix ''-iyyah''. This is formed by adding the feminine suffix ''-ah'' onto nisba adjectives to form abstract nouns. For example, from the basic root '''' "share" can be derived the Form VIII verb '''' "to cooperate, participate", and in turn its verbal noun '''' "cooperation, participation" can be formed. This in turn can be made into a nisba adjective '''' "socialist", from which an abstract noun '''' "socialism" can be derived. Other recent formations are '''' "republic" (lit. "public-ness" < '''' "multitude, general public"), and the Qaddafi-specific variation '''' "people's republic" (lit. "masses-ness" < '''' "the masses", pl. of '''', as above).

Colloquial varieties

The spoken dialects have lost the case distinctions and make only limited use of the dual (it occurs only on nouns and its use is no longer required in all circumstances). They have lost the mood distinctions other than imperative, but many have since gained new moods through the use of prefixes (most often /bi-/ for indicative vs. unmarked subjunctive). They have also mostly lost the indefinite "nunation" and the internal passive.

The following is an example of a regular verb paradigm in Egyptian Arabic.

+Example of a regular Form I verb in Egyptian Arabic, ''kátab/yíktib'' "write"	Tense/Mood		! Past	! Present Subjunctive	! Present Indicative	! Future	! Imperative
Singular
1st		''katáb-t''	''á-ktib''	''bá-ktib''	''ḥá-ktib''
2nd	!masculine	''katáb-t''	''tí-ktib''	''bi-tí-ktib''	''ḥa-tí-ktib''	''í-ktib''
	!feminine	''katáb-ti''	''ti-ktíb-i''	''bi-ti-ktíb-i''	''ḥa-ti-ktíb-i''	''i-ktíb-i''
3rd	!masculine	''kátab''	''yí-ktib''	''bi-yí-ktib''	''ḥa-yí-ktib''
	!feminine	''kátab-it''	''tí-ktib''	''bi-tí-ktib''	''ḥa-tí-ktib''
Plural
1st		''katáb-na''	''ní-ktib''	''bi-ní-ktib''	''ḥá-ní-ktib''
2nd		''katáb-tu''	''ti-ktíb-u''	''bi-ti-ktíb-u''	''ḥa-ti-ktíb-u''	''i-ktíb-u''
3rd		''kátab-u''	''yi-ktíb-u''	''bi-yi-ktíb-u''	''ḥa-yi-ktíb-u''

See varieties of Arabic for more information on grammar differences in the spoken varieties.

Writing system

The Arabic alphabet derives from the Aramaic through Nabatean, to which it bears a loose resemblance like that of Coptic or Cyrillic script to Greek script. Traditionally, there were several differences between the Western (North African) and Middle Eastern version of the alphabet—in particular, the ''fa'' had a dot underneath and ''qaf'' a single dot above in the Maghreb, and the order of the letters was slightly different (at least when they were used as numerals).

However, the old Maghrebi variant has been abandoned except for calligraphic purposes in the Maghreb itself, and remains in use mainly in the Quranic schools (zaouias) of West Africa. Arabic, like all other Semitic languages (except for the Latin-written Maltese, and the languages with the Ge'ez script), is written from right to left. There are several styles of script, notably Naskh which is used in print and by computers, and Ruq'ah which is commonly used in handwriting.

Calligraphy

After Khalil ibn Ahmad al Farahidi finally fixed the Arabic script around 786, many styles were developed, both for the writing down of the Qur'an and other books, and for inscriptions on monuments as decoration.

Arabic calligraphy has not fallen out of use as calligraphy has in the Western world, and is still considered by Arabs as a major art form; calligraphers are held in great esteem. Being cursive by nature, unlike the Latin script, Arabic script is used to write down a verse of the Qur'an, a Hadith, or simply a proverb, in a spectacular composition. The composition is often abstract, but sometimes the writing is shaped into an actual form such as that of an animal. One of the current masters of the genre is Hassan Massoudy.

Romanization

! ISO 233-2

+ Examples of different transliteration/transcription schemes	Letter	! Name	International Phonetic Alphabet>IPA	United Nations Conference on the Standardization of Geographical Names>UNGEGN	Library of Congress>ALA-LC	! DIN 31635	SAS
BATR	! ArabTeX	Arabic chat alphabet>chat
!					,		'	e	'	2
						aa	aa / A	a	a/e/é
!		,	y		y; e	y; ii	y	y; i/ee; ei/ai
!					ç		c	_t	s/th
!		~~				j	j	^g	j/g/dj
!					H	.h	7
!		~				j	x	K	_h	kh/7'/5
!					đ	z'	_d	z/dh/th
!					x	^s	sh/ch
!					S	.s	s/9
!					D	.d	d/9'
!					T	.t	t/6
!		~			đ̣	Z	.z	z/dh/6'
!					ř	E	`	3
!		~			g	ğ	g	.g	gh/3'

There are a number of different standards for the romanization of Arabic, i.e. methods of accurately and efficiently representing Arabic with the Latin script. There are various conflicting motivations involved, which leads to multiple systems. Some are interested in transliteration, i.e. representing the ''spelling'' of Arabic, while others focus on transcription, i.e. representing the ''pronunciation'' of Arabic. (They differ in that, for example, the same letter is used to represent both a consonant, as in "you" or "yet", and a vowel, as in "me" or "eat".) Some systems, e.g. for scholarly use, are intended to accurately and unambiguously represent the phonemes of Arabic, generally making the phonetics more explicit than the original word in the Arabic script. These systems are heavily reliant on diacritical marks such as "š" for the sound equivalently written ''sh'' in English. Other systems (e.g. the Bahá'í orthography) are intended to help readers who are neither Arabic speakers nor linguists to intuitively pronounce Arabic names and phrases. These less "scientific" tend to avoid diacritics and use digraphs (like ''sh'' and ''kh''). These are usually more simple to read, but sacrifice the definiteness of the scientific systems, and may lead to ambiguities, e.g. whether to interpret ''sh'' as a single sound, as in ''gash'', or a combination of two sounds, as in ''gashouse''.

During the last few decades and especially since the 1990s, Western-invented text communication technologies have become prevalent in the Arab world, such as personal computers, the World Wide Web, email, Bulletin board systems, IRC, instant messaging and mobile phone text messaging. Most of these technologies originally had the ability to communicate using the Latin script only, and some of them still do not have the Arabic script as an optional feature. As a result, Arabic speaking users communicated in these technologies by transliterating the Arabic text using the Latin script, sometimes known as IM Arabic.

To handle those Arabic letters that cannot be accurately represented using the Latin script, numerals and other characters were appropriated. For example, the numeral "3" may be used to represent the Arabic letter "ع". There is no universal name for this type of transliteration, but some have named it Arabic Chat Alphabet. Other systems of transliteration exist, such as using dots or capitalization to represent the "emphatic" counterparts of certain consonants. For instance, using capitalization, the letter "د", may be represented by d. Its emphatic counterpart, "ض", may be written as D.

Numerals

In most of present-day North Africa, the Western Arabic numerals (0, 1, 2, 3, 4, 5, 6, 7, 8, 9) are used. However in Egypt and Arabic-speaking countries to the east of it, the Eastern Arabic numerals ( – – – – – – – – – ) are in use. When representing a number in Arabic, the lowest-valued position is placed on the right, so the order of positions is the same as in left-to-right scripts. Sequences of digits such as telephone numbers are read from left to right, but numbers are spoken in the traditional Arabic fashion, with units and tens reversed from the modern English usage. For example, 24 is said "four and twenty" just like in the German language (''vierundzwanzig'') and Classical Hebrew, and 1975 is said "one thousand (and) nine hundred (and) five and seventy."

Language-standards regulators

Academy of the Arabic Language is the name of a number of language-regulation bodies formed in Arab League. The most active are in Damascus and Cairo. They review language development, monitor new words and approve inclusion of new words into their published standard dictionaries. They also publish old and historical Arabic manuscripts.

Studying Arabic

Because the Quran is written in Arabic and all Islamic terms are in Arabic, millions of Muslims (both Arab and non-Arab) study the language. Arabic has been taught worldwide in many elementary and secondary schools, especially Muslim schools. Universities around the world have classes that teach Arabic as part of their foreign languages, Middle Eastern studies, and religious studies courses. Arabic language schools exist to assist students in learning Arabic outside of the academic world. Many Arabic language schools are located in the Arab world and other Muslim countries. Software and books with tapes are also important part of Arabic learning, as many of Arabic learners may live in places where there are no academic or Arabic language school classes available. Radio series of Arabic language classes are also provided from some radio stations. A number of websites on the Internet provide online classes for all levels as a means of distance education.

Examples

or

English	! Arabic	Arabic diacritics>Arabic (vowelled)	Romanization of Arabic>Romanization (DIN 31635)	! IPA
English	or	|	(varies)	(varies)
Yes	|
No	|
Hello	|
Peace(Usually Islamic)	|		}} (varies)	}} (varies)
How are you	|	}}	}}
Welcome	|
Goodbye	|
Please	|
Thanks	|
Excuse me	|
I'm sorry	|
What's your name?	|
How much?	|
I don't understand.	|
I don't speak Arabic.	|
I don't know.	|
I'm hungry.	|
Orange	|
Black	|
One	|
Two	|
Three	|
Four	|
Five	|
Six	|
Seven	|
Eight	|
Nine	|
Ten	|
Eleven	|

See also

Modern Standard Arabic

Arabic diglossia

Varieties of Arabic

Arabic–English Lexicon

Arabic influence on the Spanish language

Arabic literature

Arabist

Dictionary of Modern Written Arabic

Glossary of Islam

List of arabophones

List of French words of Arabic origin

List of Portuguese words of Arabic origin

List of replaced loanwords in Turkish

Arabic grammar

(إﻋﺮﺍﺏ)

Macrolanguage

Notes

}} is the Literary Arabic name of the language(s) and is pronounced in Egypt: ; Libya: ; east central Arabia: ; Levant: ; Hijaz: ; Tunisia: ; Morocco: . Other variations in other geographic regions are also possible. }} is the Literary Arabic name as well as the colloquial and is pronounced in Egypt and Libya: ; east central Arabia: ; Lebanon: ; rest of Levant, ; Hijaz: ; Tunisia and Morocco: . Other variations in other geographic regions are also possible. In general, in pronunciation of Literary Arabic the last vowel is long .

References

External links

Documents

* Arabic phrasebook at Wikitravel

* Arabic grammar online

* A Review of Arabic Language Books and Methods

* Learn Arabic Language تعلم اللغة العربية 'biggest Arabic Learning resource"

* Arabic natural language processing publications

* Arabic: a Category III language Languages which are very difficult for native English speakers

* Arabic Vocabulary with pictures

*Dr. Habash's Introduction to Arabic Natural Language Processing

*Dr. Shaalan's talk about Rule-based approach in Arabic NLP: Tools, Systems and Resources

* ethnologue.com Encyclopedic reference work cataloging all the world’s 6,909 known living languages including Arabic

Tools

*Lane's Arabic–English Lexicon – An 8-volume, 3000-page dictionary in PDF format.

* Google Ta3reeb – Google Transliteration

* Transliteration Arabic language pronunciation applet

* Realtime Arabic transliteration

* Arabic Keyboard that you can use when your keyboard does not support Arabic. – It can feed the terms to google.

* Find Arabic Text on the internet

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name	Myriam Fares
background	solo_singer
birth date	May 03, 1983
origin	Lebanon
genre	Arabic Music
occupation	Singer
years active	2000–present
url	www.myriamfares.com }}

Myriam Fares ( ''''; born May 3, 1983) is a Lebanese musician and entertainer.

Early life and beginnings

Myriam was born in Kafar Shlal, a small village in Southern Lebanon, near Kafarhata village, 5 miles east of Saida. Since her childhood, Myriam has been devoted and dedicated to arts which encouraged her to develop her talents and interests. She started learning classic ballet at the age of five which impelled her to develop her musical talents. She had a profound feeling of becoming a professional dancer which was accomplished at the age of nine when she was accepted in a TV program "Al Mawaheb Al Saghira" on Tele Liban and was awarded the first prize in oriental dancing.

As a brilliant student in arts, Myriam was encouraged by her impressed teachers to participate in the schools' events which were a motive to improve her dancing, singing and acting skills.

Inspired by her angelic strong voice, Myriam wanted to explore her talents further in singing. She joined the Lebanese National Conservatory and succeeded in learning the principles of oriental singing for four years.

At the age of sixteen, she participated in the Lebanese Festival for Songs and won the first prize as the best popular Lebanese singer.

Her seventeen was highlighted by her participation in the TV program on LBCI "Studio-El-Fann" 2000-2001 under the category of the Lebanese song. Myriam won the prize of best singer in the South of Lebanon which was followed by Dr. Walid Ghoulmiye's prize as best singer in South Lebanon, Beirut and Mount Lebanon.

Music career

2003: ''Myriam''

At age 21,she launched her first album with Music Master Records which was sold out in a few days. She filmed the song "Ana wil Shoq" with director Ghassan Koteit, which proved to be a major success and it spread throughout the Arab world and was played on all Arab televisions. This was a turning point in Myriam's career. Afterwards Myriam proceeded to UAE to sign her first album at Virgin Mega Store in Dubai on the ninth of March where she was received by a crowd of Arab and international reporters to express their admiration of her art and music.

Myriam's next hit was the shooting of "La Tes'alni" video clip with director Selim Turk from her album "Myriam". It was a big hit as well especially that her audience were waiting for the new clip after her success in he first clip "Ana Wil Shoq". "La Tis'alni" impressed he eager audience from the first time where Myriam proved to enjoy the main characteristics of a professional artist, by having a wonderfully balanced voice, a talent in body expressions and capable in performing her role naturally in a perfect way coming from the heart.

In 2004, Myriam became more and more famous and was elected as "best young female singer" in the Arab World. She also won the prize of best video clip during he visit to Egypt. Her beautiful voice, nice appearance, flexible motion and magnificent dancing made from Myriam a big star in Lebanon and the Arab World which allowed her to be distinguished by her audience and especially the big success in: The Bacardi Night in Beirut, New Year's Eve in Biel, Al Fateh Festivals in Libya and Hala Febayer in Kuwait.

During her concerts, Myriam performed songs from modern and popular oriental to classic and she visited during her tours many Middle Eastern and Moroccan countries. "Myriam" the album, shocked artists and audience, but Myiam's dream will never stop…

2005: ''Nadini''

In July 2005, the Lebanese star presented her new album "Nadini Myriam" with a video clip for the song entitled "Nadini".

"Nadini Myriam" album is the result of months of preparation and collaboration with Lebanese and Arab composers and writers. "Nadini" was the first time to be shot as a video clip from the album with director "Amir Kreidiye".

"Haklik Rahtak" is a song from "Nadini Myriam"'s album, written by Myriam's sister, Roula Fares, composed by Muhammad Raheem and arranged by Mark Abdel Nour and was shot in a magical décor in Paris where director Wissam Smayra found the best locations to execute the clip. This song helped boost Myraim's career and was ranked number one in Lebanon, Egypt and Tunis.

In their second collaboration together, after the clip "Haklik Rahtak", Myriam Fares and director Wissam Smayra presented their second video clip entitled "Waheshny Eah" written and composed by Mohammad Rifai and arranged by Jean Marie Riachi. A professional French team specialized in high-tech techniques in the world of suspense and special effects were the basis of this video clip.

"Wahichni Eah", a song that occupied the listeners' hearts, made Myriam a famous star and was ranked number one in Egypt, Gulf, Tunis Morocco and Yemen!

In November 2006,"Al Ahram Al Masriya" one of the leading newspapers in Egypt, elected Myriam the best young singer in the Arab world. The survey was done in all the Egyptian universities and Myriam was honored at the British university in Egypt.

At the same time, MTV Europe invited Myriam, the first Arab artist who appeared on this TV, bearing in mind that only international stars appear on that T.V. station. She was also elected as the best Arab singer who combines a taste of both the west and the east in her style in music.

Myriam ended the year 2007 with a new hit Khaliji song “Moush Ananiya” that was shot as a music video under the direction of Yehya Saade. The song was a success all over the Middle-East and she was considered as one of the best non-khaliji artists who sang the khaliji accent.

2008: ''Bet'oul Eh''

Myriam's third and latest album "Bet'oul Eh”, was released in April 2008, and has been doing great in the charts within all the Arab World . The album has a mixture of music genres that are creatively put together to satisfy all listeners, especially her fans. The album consists of 9 songs one is "Mouch Ananiya" which is definitely guaranteed to please listeners who prefer romantic ballads. The music video successfully shows Myriam’s surprising acting skills, and the video was executed under the direction of Leila Kanaan.

Two other songs of the Album "Bet'oul Eh” which are: “Betrouh & Iyyam EL Shiti “ were shot as music videos in Paris incarnating a very special cinematographic idea under the direction of Wissam Smayara

2009 till now

Myriam performed in a series of sold out concerts:

In Yemen, Kuwait

In Egypt, Lebanon

In London

In UAE (Qatar, Dubai, etc…)

In Syria, Jordan

In Tunis, Morocco

In Las Vegas, Malaysia

In Russia, Chechnya

In Cyprus, Turkey

In Iraq

In 2009, Myriam started preparing for her 4th album "Min Oyouni"working with the most important musicians in the Middle East. The album includes khaliji songs which will certainly cause a booming, once released. It also contains a Moroccan song which Myriam will be the 1st singer to perform this particular style. This song was a way for her to show how much she was impressed by the country and how she appreciates the Moroccan people and their culture. The album will be available by June 2011.

Myriam launched the first night of “Layali Febrayer” 2010 in Kuwait. She was accompanied by other singers: Bachar EL Chatti, Mohammad Hamaki and Mayami band. During her dazzling performance, she sang one of her Khaliji songs named “Walle3o” from the 4th album. The audience was singing along as if they knew it by heart. It was a night to remember!

Fawazer

During the holy month of Ramadan 2010, Myriam Fares presented Fawazeer Myriam where she presented three upcoming songs from her next album: Ertah an Iraqi song, Tlah Moroccan typical song and Ya Sariyah a traditional liwa song.She presented three characters in every episode,one of them was an old advertising for Tarek Nour, other was a dance from a country -she danced different 30 dances during the 30 episodes-,the last character was to act a job.

Filmography

Silina 2009

Under the supervision of director Hatem Ali, the masterpiece of the Rahbani brothers "Hala wal malek" (Hala and the King) was made into a film carrying the name of "Silina", starting Myriam Fares along with a large group of stars from Lebanon and Syria such as Elie Choueiri, Dureid Laham, Antoine Kerbaj, Georges Khabbaz, Hussam Tahssin Beik and a wide list of other famous stars.

Advertising

Myriam Fares and 'Ana Wil Shoq" perfume At the end of summer 2004, the cooperation between Myriam and "Mahmoud Said" succeeded in launching a new perfume carrying the name of her hit song: "Ana Wil Shoq" which was followed by the shooting of an ad for this same perfume by Myriam.

In 2007,Myriam Fares became the new face of Vodafone. After making a lot of surveys and questionnaires, Vodafone chose Myriam to be the leading star of their new advertising campaign to market the new service provided for Egyptians that is called Mini Call, a new service that is about the ability to send a voice message.They wanted a young star who is popular and modern. Myriam’s popularity has been soaring in the last period and maybe that is why the surveys and researches done by several media means chose her and identified her as very popular pop singer.she traveled to Egypt to shoot the ad with her director Wessam Samira before the feast. The ad is being broadcasted on several Egyptian channels..Myriam shot three TV commercials and Vodafone openly discussed their big satisfaction with the result of this unique campaign in Egypt.

And early 2008 Myriam was chosen by the International Company Ciba Vision as the ambassador of FreshLook, the colored contact lenses, in the Middle-East, after Brooke Shields have been theirs for the past years. The advertisement is being displayed in various print medias outdoors all around the Arab countries, in addition to a promotional tour in Lebanon, Qatar, Kuwait, UAE, etc…

Studio albums

Myriam

Mastering : Tony Haddad

Design : Kinda Mourani

Year : 2004

# Ana Wel Shoq # Ghmorni # La Tis'alni # Shou Badou # Inta el Hayat # Ahebbak Heil # Hal Gharam Mish Gharam # Ya Alem Bil Hal

Nadini

Mastering : Tony Haddad

Design : Kinda Mourani

Photography : Carine & charbel

Year : 2005

# Nadini # Aanadiya # Hasisni Beek # Haklek Rahtak # Leh Habibi # Maarafsh Had Bel Esmida # Haset B Aman # Khalini Teer # Zaalan Menni # Waheshni Eih

Bet'oul Eih

Year : 2008

# Mouch Ananiya # Eih Yalli Byohsal # Bet'oul Eih # Betrouh # yyam El Chitti # Ana Albi Lik # Ala Khwana # Law Konte Radi # Moukanoh Wein

+ Albums
! Year	! Album Name(EN)	! Album Name(AR)	! Tracks #
2003		ميريـام	8
2005	''Nadini''	ناديني	10
2008	''Bet'oul Eih''	بتقول أيه	9
2011	''Min Oyouni''	من عيونى	9

Videography

+ Official VideoClips
style="width:40px;"	Year	Title	Album	Director
		"Ana Wel Shoq"			Ghassan Koteit
	"La Tes'alni"		Selim El Turk
	"Ahebak Heal"		Unknown
rowspan="3"	2005		"Nadini"	rowspan="3"	''Nadini''		Amir Kreidiye
	"Haklik Rahtak"
	"Waheshny Eah"
	2007		"Moukanoh Wein"	rowspan="5"	''Bet'oul Eih''		Yehya Saade
rowspan="4"	2008		"Mouch Ananiya"		Leila Kanaan
	"Iyyam EL Shiti"	rowspan="2"	Wissam Smayra
	"Betrouh"
	"Eh Elli Behsal"
	2010		"Khalani"
	2011		"Min Oyouni"		Joe Bou Eid

References

External links

Official website

Official page for Myriam

Page Designed and Edited by Mido Fares

Reviewed by Lobitta Fares

Category:1983 births Category:Living people Category:Lebanese female singers Category:People from South Lebanon

ar:ميريام فارس de:Myriam Fares es:Myriam Fares fa:میریام فارس fr:Myriam Fares ru:Фарес, Мириам tr:Myriam Fares

name	Nancy Ajram
birth name	Nancy Nabil Ajram
background	solo_singer
birth date	May 16, 1983
origin	Achrafieh, Beirut, Lebanon
genre	Arabic Pop, World, pop
occupation	singer, dancer, model, actress
years active	1998–present
label	EMI Arabia (1998) Megastar (2001–2005) In2Musica (2008–present)
website	Official website }}

Nancy Nabil Ajram (}}) (born May 16, 1983) is a multi-platinum Lebanese singer and Goodwill Ambassador for UNICEF. With the support of her father, Nancy began performing as a child and released her first studio album by the age of 15. Her breakthrough occurred with the start of her collaboration with well-known producer Jiji Lamara, when she released her smash-hit "Akhasmak Ah" and 3rd studio album, Ya Salam. In 2004, she released her second international best-seller "Ah w Noss", which spawned several smash-hits, "Ah w Noss", "Lawn Ouyounak", and "Inta Eih" at which point Nancy had established pop icon status in the Middle East.

By 2007, Ajram had sold over 30 million records ranking 3rd best selling female artist in Lebanese history. Her 2008 album "Bitfakkar Fi Eih" spawned seven singles and won Nancy's first World Music Award as Best-selling Middle Eastern Artist, the youngest Arab WMA winner to date. She has released seven studio albums to date and numerous other chart-topping singles such as "Sehr Ouyouno", "Atabtab", "Moegaba", "Ehsas Jdeed", "El Donya Helwa", "Mashi Haddi", and "Fi Hagat".

Nancy Ajram is the first and only female sponsor and spokesperson of Coca-Cola in the Middle East and Arab world. Considered by many as an Arabic music icon of the decade, Nancy was described on the Oprah Winfrey Show as one of the most influential personalities of the Middle East. Nancy has made the list of Most Powerful Arabs on Arabian Business several times, and was similarly listed by Newsweek as one of the most influential Arabs. Nancy's official Facebook page is the most subscribed Arabic artist page on the social-networking site and the first to reach 1 million subscribers, and her music video for "Fi Hagat" was an Internet phenomenon and is currently the most viewed Arabic music video on the Internet, with more than 20 million views on Youtube.

Early life and beginnings

Ajram was born to father Nabil Ajram and mother Raymonda Aoun, on May 16, 1983 in Achrafieh, a district in Beirut, Lebanon.

In 1995, at the age of twelve, Nancy Ajram took part in a variety show, ''Noujoum Al-Moustakbal'', ("Stars of the Future"), a Lebanese reality television competition, which finds new solo musical talent. Ajram won a gold medal in the Tarab category after singing a song by Umm Kulthum.

Ajram studied music with renowned Lebanese musicians and despite being less than 18 years old at the time, the syndicate of professional artists in Lebanon accepted her as a member. Her first singles were titled "Hobbak Allam Albi elGheere" by Abdo Mounzer, and "Oulha Kelma Ala Shani". At the age of 15, she released her first album, ''Mihtagalak'' ("I Need You') in 1998. It was followed by ''Sheel Oyoonak Anni'' ("Stop Staring") in 2000, which achieved more success.

Music career

2002-2004: ''Akhasmak Ah''

Ajram's breakthrough was when she began working with Jiji Lamara, an experienced producer and manager. In early 2003, Ajram rose to instant fame with the success of the lead single "Akhasmak Ah" and the release of her third studio album, ''Ya Salam'' ("Oh Wow") which was a best-seller. The music video of "Akhasmak Ah" caused a controversy; reminiscent of older Arabic films, Nancy appeared as a cafe manager who dances and flirts with its customers. The release of the next music videos, "Ya Salam" and "Sehr Ouyouno" quietened down criticism as they better introduced Nancy's vocal abilities and style to the public.

2004-2006:''Ah w Noss'', Coca-Cola

Her fourth album, ''Ah w Noss'' ("Yes, and a half"), was released on April 12, 2004, and it was also an important marking point in Nancy's career. The tremendous success that "Ah w Noss" achieved, stabilized Nancy's position as an A-List star in the Arab music industry. Nancy then filmed "Lawn Ouyounak" (Color of Your Eyes), which portrayed Nancy as a bride in a traditional Lebanese wedding. After the release of the album, Nancy Ajram signed-up with Coca-Cola to be their official celebrity spokesperson for the Levant, Arabia and North Africa regions. Her first Coke commercial featured her hit, "Oul Tany Kida?" (Say That Again?), which was filmed with the international Italian director Luca Tomassini. The commercial's success lead to it being filmed as a music video behind the scenes of the commercial. The 4th hit single from the album, "Inta Eih?" (What Are You?), was a slow directed by Samir Sfeir. Nadine Labaki directed another clip that featured Nancy as a wife who sees her husband cheating on her yet she hides it in torment to save their relationship. The music video received tremendous positive reviews and Nancy was greatly praised. Leading Egyptian actors and directors, like Faten Hamama praised Nancy's acting abilities and movie offers doubled for Nancy. Nancy also opened for Enrique Iglesias's first concert in Egypt in 2004.

2006-2008:''Ya Tabtab Wa Dalla'', ''Shakhbat'', ''El Donya Helwa''

Her fifth album, ''Ya Tabtab Wa Dallaa'' was released on February 15, 2006. ''Atabtab'' was considered Nancy's best album to date, with six music videos released, eight radio hits, and five songs used for commercials.

The title song's video was Nancy's last video directed by Nadine Labaki, as she then started working on her movie Caramel. Nancy then released the video of her Coca-Cola hit "Moegaba" (Admirer), as well as a video and commercial for her newly signed ''Damas Jewelry'' contract advertising their "Farfasha" set. The song used was ''Ana Yalli'' which was promoted before the album's release. Nancy then cooperated for the first time with prominent Lebanese director Said el Marouk, filming ''"Ehsas Jdeed"'' (A New Feeling) which is widely considered to be the most successful song of the album. The video, which was a salute from Said to his deaf and mute parents, depicted the story of a rich woman who falls in love with a deaf and mute man. Later in 2007, Nancy released all together the video of "Elli Kan" (All That Was) for Damas's second campaign, her Coca-Cola Side of Life commercial featuring a new single "''El Donya Helwa''" (Life is Beautiful), and a video and album directed towards children, titled ''Shakhbat Shakhabit'' (Scribbled Scribbles). "El Donya Helwa", Nancy's 7th commercial, is considered one of her most successful commercials representing her style and Coca-Cola's with colors, happiness, and music, and it led her to release a Live album featuring the single.

Ajram's sixth album was fully dedicated to children with a variety of songs aimed towards teaching children good values and morals, something she has wanted to do for a long time. The music video was her second cooperation with Said El Marouk and featured four songs from her album, the most successful of which were "Shakhbat Shakhabit" & "Shater Shater". Nancy performed these songs at several fund-raising events for children and other children's events, such as the children's TV channel MBC3, and the children's entertainment TV Show "Star Zghar". She then filmed with Fadi Haddad, the director of photography of her previous works with ElMarouk, a video for the song "''Resala Ilal Aalam''" (A Message to the World) which talks about world peace. The video was released on May 25, 2008, the day the Lebanese president General Michel Suleiman was elected ending a deadlock that lasted since November. It was the first video for Nancy that had an entirely graphical world that implied the suffering of children worldwide and the need to bring out a more colorful and happy world for them. Old rumors claimed that the video was presented to the UNICEF. In 2007, Nancy performed alongside Lionel Richie in Egypt at a launching event.

2008–2010: ''Betfakkar Fi Eih'', WMA, Oprah, UNICEF & motherhood

In February and March 2008, Nancy released three Coca-Cola commercials that featured a brand new hit from her long awaited album. The song, "''Meen Gheyri Ana'' (Noss elKawn)" (Who Else?) was made by the successful ''Yey'' and ''Ana Yalli'' trio (Nizar Francis, Samir Sfeir, and Tarek Madkour). The single was an instant hit and served as a highly successful promotion 5 months before the release of the album. Nancy released her seventh studio album after several delays on July 30, 2008, which has been highly anticipated by fans for almost three years. This long awaited comeback album held lots of surprises for her fans with a huge change in her style that presented her matured vocal abilities like never before. Nancy's 7th album, Betfakkar Fi Eih?!, is considered to be one of her most successful albums so far as it won her first World Music Award in her career. The album included her first "Tarab" song called "Biteegy Sirtak" since 1998's Mihtagalak album, and in general had a wide mix of several different styles ranging from dance, beat, pop, to drama, romance, Tarab and oldies. Even though the hit video had mixed opinions, the second video of "Min Dally Nseek" was much more accepted, peaking at #1 for seven consecutive weeks in Melody Hits. The same musical trio who created "Ehsas Jdeed" did one of the instant radio-hits of the album, "''Lamset Eed''" (Touch of a Hand), which was filmed with Leila Kenaan with a high budget, and the song and music video peaked charts for months. With this album Nancy signed a celebrity endorsement deal with Sony Ericsson, as a special w595 phone was released holding Nancy's signature, and ''Wana Ben Idek'' was chosen as the commercial song.

On November 9, 2008, about a month after her marriage, Nancy Ajram won her first World Music Award for her best-selling album Betfakkar Fi Eih. In her short speech, Nancy thanked her parents, Jiji Lamara, her fans and album makers, and husband, saying "2008 has been a fantastic year - a successful album, my wedding, and now a World Music Award, what can I ask for more?"

On September 28, 2009, the Oprah Winfrey Show aired an episode titled "Fame Around the World" that talked about the most famous celebrities around the globe in brief reports. Representing the Middle East region and Arab world, Nancy Ajram appeared in a report featured on the show and was described by Oprah as "the Britney Spears of the Middle East". Nancy Ajram is the first and only Middle-Eastern artist ever mentioned on the show.

2010–present: World Cup, ''N°7''

In the summer of 2010, Nancy was nominated by Coca-Cola Middle East to sing, along with K'naan, his international hit and song for the 2010 FIFA World Cup, "Wavin' Flag". The Arabic version, titled "Shaggaa Be Alamak" and directed to the Middle East region, had its Arabic parts written by Ayman Bahgat Amar (who previously wrote Ah w Noss, Atabtab, Eftah Albak for Nancy) and the music remastered by Tarek Madkour. The original music video was used for K'naan's parts while Nancy's parts were filmed separately in Lebanon on the same protocol under Leila Kenaan's co-direction. Both the video and song were aired heavily during the FIFA season and part of the song was particularly played during commercial breaks on Al-Jazeera channel, which exclusively aired the games to the Arab world.

On August 30, 2010, Nancy's official Facebook page posted a 16-second preview of the music video for Nancy's next single, "Fi Hagat". The preview shows Nancy wearing her makeup and getting in the car on a rainy day. Later, it was announced that Nadine Labaki directed the video, thus making her comeback to music video direction after her 4-year break. The video is also the first collaboration between Ajram and Labaki since 2006's "Atabtab." The full music video premiered on September 6, 2010 at 8:00PM on Arabica TV and MTV Lebanon. As of January 2011, within four months, the video hit more than 10 million views and thus became the first and most viewed Arabic music video on the Internet.

The album became a massive critical and commercial success, selling over a million units a month after its release and gathering many positive reviews from critics, who favored Nancy's classy style and the variety of musical genres she offers on the album.

In November, 2010, Nancy's Facebook page hit one million fans, becoming the most subscribed Arabic Facebook page on the site. Nancy expressed how thankful she was and promised her followers to add news and updates to the page. Later, the page announced "Sheikh El Shabab" and "Ya Kether" as the second and third singles from ''7'', respectively. The video for the second single premiered on December 23, and received favorable reviews from Arabic media, however, it did not achieve the same explosive rate of Internet views as did the first single "Fi Hagat", with only 750,000 views in a month.

The album marks a shift in Ajram's career and launches her to a more international image, and is, to date, her second fastest selling album.

Personal life

In September 2008, Nancy wed Dr. Fadi El Hachem in Cyprus after a three-year relationship; the wedding ceremony, in Lebanon, was attended mainly by close friends and family and was only made based on their request. Nancy continued her work during pregnancy, during which she filmed "Min Dally Nseek", "Lamset Eed" and her first Sony Ericsson commercial. She also participated in several concerts, such as Layali Febrayer and received her World Music Award.

On May 16, 2009, Nancy gave birth to her first child, a daughter she named "Mila." Short for ''Milagrosa'' (''miraculous'' in Spanish), Mila is also a traditional, Levantine name popular in rural Lebanon and meaning a "blooming tree". However, Nancy revealed that the name was Fadi's choice inspired by the Ukraine-born US actress, Milla Jovovich. Nancy released a song for her daughter, "Ya Rab Tekbar Mila" (I Pray that Mila Grows Up) on the same day. In a survey done by ''Rotana Magazine'', Nancy was voted as the "Most Beautiful Mom" of 2009. Nancy chose not to reveal photos of her daughter Mila until they both appeared on the cover of "Prestige" magazine in an exclusive photoshoot. Mila later appeared in the set of Nancy's music video "Ya Kether" in the presence of the media who publicized her pictures.

In October 2010, a month after the release of her seventh studio album, Nancy announced that she was four months pregnant with her second child, a girl. During that period she had filmed "Sheikh El Shabab" and "Ya Kether" consecutively to be released during her pregnancy period. Nancy Ajram revealed on Mothers day special on MTV that she decided to name her daughter Ella. Ella was born on 23 April 2011.

Awards and titles

1995 Nojoom Al Mustaqbal Golden Award - (Ajram's most significant pre-stardom award)

2003, 2005, 2007 Murex D'or Award - Best Female Lebanese Singer of the year, Beirut

2003, 2006 Murex D'or Award - Best Video of the Year, Beirut.

2003: Ya Salam - Nadine Labaki, 2006: Ehsas Jdeed - Said elMarouk)

2003 The Golden Lion Award, Egypt

2003, 2007 LG Music Award

2003, 2005 Zahrat elKhaleej Magazine - Best Female Arab Singer, Dubai

2004, 2010 Zahrat elKhaleej - Best Music Video of the Year, Dubai (Lawn Ouyounak, Fi hagat - respectively)

2004 Arabian Music Awards - Best Female Arab Singer of the year, Dubai

2005 Newsweek - Most Influential Arab Personalities, Kuwait

2005 - Honor from the Opera House of Egypt

2007 - Certificate from the Pope of Rome

2007 Middle East Music Awards (''Mobinil'') - Best Female Arab Singer of the year, Cairo 2007, 2009 Arabian Business - World's Most Influential Arabs, Most Influential Contemporary Female Singer in 2007, Most Powerful Arab Singers 2007 Kol elArab Survey - Best Arabic Star of the year 2007

2008 9th Annual Doha Festival - Honor Award, Doha

2008 World Music Award - World's Best-Selling Middle-Eastern Artist, 20th Annual WMA, Monaco 2008 Student Choice Award - [College Student Survey]: Best Album of the Year 2008, Beirut 2008 ''AlJumhuriya'' newspaper, ''Freedom Magazine'' - Best Female Arab Star of 2008, Egypt.. only?

2009 Regional Ambassador for the UNICEF in the Middle East & North Africa

2009 Al-Jazirah Newspaper survey : Best Female Arab singer of the Year. ''Saudi Arabia''

2010 Stars Cafe Magazine - Best selling female artist of the decade.

2010 World Travel Award - Best Female world singer of the Year .

2010 Sama Al Noujoum-Best Female Singer 2010/Fi hagat Best Music Video 2010 Panet Survey-Best Female singer 2010 Arab Sound Awards -Best Arabic Female Singer

2010 Music My Life- Fi Hagat Best Song Of 2010

2010 Best Of Lbc 2010- N 7 Best Album/Fi Hagat- Best Music Video 2010 Panorama Fm (MBC)-N 7 Best Arabic Album. 2010-2011 Jaras Scoop Awards-Best Female Singer

2010-2011 Melody Fm Awards-Best Female Singer

Stars Cafe Awards 2010:

* Best Female Artist

* Best Album : 7

* Best Song: Fi Hagat

* Best Lyrics: Fi Hagat

* Best Arrangement: Fi Hagat

* Best Music Video: Sheikh El Shabab

2011 Won two awards from "Murex D'or 2010" ceremony in Lebanon. First award as the Star of Lebanese song, and the second award for the category of best music video for the song "Sheikh El Shabab."

2011 Best Female Singer- "Woujouh Men Lebnan" awards.

2011 Arabian Business- Most Famous Celebrity in the Middle East

Philanthropy and humanitarian work

Ajram has participated in numerous charity events and concerts that she considers a priority in her music career. In the year 2006, Ajram opened an organization under the name "Jam'iyet Nancy Ajram Al-Khayria" (Nancy Ajram's Charity Organization) in Beirut, Lebanon, that works on collecting and distributing money for the poor. Nancy also released a song about peace, "Resala Ilal Aalam" (A Message to the World), in her children's album as a music video, which was rumored to be presented to the Unicef. Ajram also participated amongst over 100 other prominent Arab artists in a huge production called "ElDhameer elArabi", a 10-year sequel to "AlHelm Al Arabi" that outlines the major political events in the Arab world in the past ten years.

In June 2008, Nancy participated in The Big Ball, a charity event in Dubai which raised over Dhs 940,000 for helping underprivileged children by auctioning one of her favourite dresses and encouraging children's fund-raising events; she announced, "The Big Ball is doing a wonderful thing and I'm happy to support it. I'm coming for my love of children and because I want to help underprivileged children find a happy place in this world. Children inspired my latest album ''Shakhbat Shakhabit'' and especially the song "Resala lel3alam" (A Message to the World)." Ajram, however, continues to refuse announcing her other charitable projects to the public.

On October 22, 2009, the UNICEF chose Ajram to be the first female regional ambassador for the Middle East and North Africa, as was announced in a press conference held in Beirut. Nancy announced that she will be starting her charity projects in 2010. In late 2009 she appeared in the UNICEF's commercial marking the 20th anniversary of the Convention on the Rights of the Child, joining other influential Middle Eastern celebrities such as Kazem el-Saher, Saber el-Rebai and Karess Bashar.

Criticism and controversy

Many rumors of boycotts against Ajram's concerts filled the internet, although none appeared to be true.

In October 2003, a riot broke out outside a concert by Ajram in Bahrain. Islamists from the country's main opposition parties, including Al Wefaq, attacked concert goers. Al Wefaq's leaders defended the action, as it was the Muslim holy month of Ramadan. In May 2006, Ajram returned to perform in Bahrain without any incidents.

On her official website, Nancy Ajram has apologized for anti-Iranian remarks falsely attributed to her on a website posing as her homepage.

Nancy Ajram has expressed extreme anger towards recent circulating rumors in Egypt regarding the spread of nude photos of her on mobile phones. A large number of youths around Egypt and around the Arab world have been spreading nude photos of the singer supposedly taken at a women's spa for a full body wax. Nancy, however, denies the spa visit and claims such photos are fake.

Discography

Studio albums

1998: ''Mihtagalak''

2001: ''Sheel Oyounak Anni''

2003: ''Ya Salam''

2004: ''Ah W Noss''

2006: ''Ya Tabtab...Wa Dallaa''

2008: ''Betfakkar Fi Eih?!''

2010: ''7''

Other albums

2007: ''Shakhbat Shakhabit''

DVDs and live albums

2004: ''Live at the Jarash Festival'' [DVD] - MegaStar

2005: ''Ma La Ta'arifunahu 3an Nancy Ajram'' [DVD] - MBC

2006: ''Ah w Noss: Collector's Edition'' [CD and DVD] - MegaStar

2006: ''Ya Salam: Collector's Edition'' [CD and DVD] - MegaStar

2007: ''Shakhbat Shakhabit'' [DVD]

2007: ''ElDonya Helwa - Live'' [Live CD]

2008: ''The Best of Nancy Clips'' [DVD]

2008: ''Greatest Hits'' [Compilation CD] - EMI

2009: ''Awwel Marra'' [Old Live Songs CD] - Artline Music

Non-album singles

Nancy released several songs dedicated to special countries in the Arab world, starting with "Kuwait alShahama" in 2005. In early 2006, she released a single, "Ana Masry" ("I am Egyptian"), timed to coincide with Egypt's hosting and winning of the African Cup of Nations football tournament, taking it by storm. Its video showed Egyptians representing the diversity of the country lip-sync the patriotic lyrics of the song. Nancy also released a song for the rival Egyptian soccer teams "Ahly and Zamalek", being the first to do so after Sabah. Nancy released a sensual song for Lebanon called "Habib elOmr" composed by Ziad Boutrous, which preceded the 2006 Lebanese war. After the 2007 "Nahr el Bared" war, Nancy dedicated a song composed by Samir Sfeir to the Lebanese Army, called "Khalleek Bwejj elGhadab".

2005 "Kuwait Al Shahama"

2005 "Ana Masry"

2005 "Agbal" - (released in "Afdal Ma Endana" UAE compilation album)

2006 "Ahli w Zamalek"

2006 "Habib el Omr"

2007 "Bwejj el Ghadab"

2007 "El Dunya Helwa" [Coke Single] - (featured in Live performances album)

2009 "Ya Rab Tikbar Mila"

2009 "Efta7 Albak Tefra7" [Coke Single] - (released on Coke official website)

2010 "Masr el Ma7rousa"

2010 "Salemoli 3alaih"

2011 "Wahshani Ya Masr Moot"

2011 "7adri La3bek"

2011 "papa Porto"

Group works

2003 ''Il7a2ni'' (Follow Me) for the Lebanese Marathon, featuring Haifa Wehbe, Dina Hayek, Joe Ashkar, and Yuri Mrakadi.

2005 ''La Ma Khelset El Hekaya'' (It's Not Over) after the assassination of late president Rafiq elHariri, featuring Nawal elZoghbi, Haifa Wehbe, Wael Kfoury, Sabah, Maya Nasri, and many others.

2008 ''ElDhameer el 3arabi'' (The Arab Conscience) the sequel to the well-known "elHelm al3arabi" along with more than 100 artists including Wadih elSafi, Assala, Latifa, and Cheb Khaled.

Soundtracks

Ramadan 2009: ''Ibn elArandaly''

Intro: "Ya Ibn el Arandaly"

Outro: "Kol elHekaya"

Global Coke slogans

Coca-Cola Middle East have always incorporated International Coke slogans into pan-Arab campaigns with Nancy. In 2007, Coca-Cola released their international trademark campaign of their popular slogan "The Coke Side of Life", which focused on themes such as fun, happiness, colors, and life. A collaboration with Nancy Ajram lead to the making of the song "El Donya Helwa" (The World is Beautiful) for which a commercial was filmed with an American director on international standards and hi-tech effects. Nancy insisted on filming in Lebanon which had been hit by war a while back. "El Donya Helwa" is considered Coca-Cola Middle East's and Nancy Ajram's most successful commercial to date; the single became one of Ajram's most successful songs, leading to its release as a single track in a "Live" album with live performances from her last studio album Atabtab.

In 2009, as the campaign was sequeled internationally with "Open Happiness", Coke Middle East and Nancy released "Eftah Albak Tefrah". However, due to Nancy's pregnancy and giving birth, she was unable to participate in the print or TV campaigns that year and the song was used on the International commercial instead. A website was launched for that campaign entitled "Eftah Tefrah".

In 2010, Coca Cola released an Arabic version of Wavin' Flag originally by K'naan. The Arabic version "Wavin' Flag / Shagga' Bi Alamak Da" (In Arabic شجّع بعلمك ده) has Nancy Ajram featuring K'naan and meant for pan-Arab promotion of 2010 FIFA World Cup to be held in South Africa.

Videography

Official music videos

"Sheel Ouyounak Anni" "Akhasmak Ah" "Ah w Noss" "Ya Tabtab Wa Dalla" rowspan="5" rowspan="3"

+ Official Music Videos
Year	Title	Album	Director
1998	"Mihtagalak"	''Mihtagalak''
2001	|	Sheel Oyoonak Anni>Sheel Ouyounak Anni''	Guy Zahlan
2002	|rowspan="3"	Ya Salam...'' ||rowspan="5"> Nadine Labaki
rowspan="2"	2003	"Ya Salam"
"Sehr Oyouno" (Yey)
	|rowspan="4"| "Ah w Noss"
"Lawn Ouyounak"
	"Oul Tany Kida"
"Inta Eih"	Nadine Labaki
rowspan="4"		2006		''Ya Tabtab..Wa Dallaa''
"Moegaba"	Harry Rankin, Mike Lipscombe
"Ana Yalli"	Pascale D'Ash
"Ehsas Jdeed"	Said elMarouk
rowspan="3"	2007	"Elli Kan"
"Mishtaga Leik"
"Shakhbat Shakhabit" (ft. Katkouta, Shater, Eid Milad)				[Children's Album]	Said elMarouk
	"Risala Ilal Aalam"
"Betfakkar Fi Eih"	''Betfakkar Fi Eih?!'' || rowspan="2"|Said elMarouk
"Min Dally Nseek"
	"Lamset Eed"
"Ibn elGiran"	Mike Harris
"Mashi Haddi"	Leila Kanaan
rowspan="3"	2010	"Shaggaa' Be Alamak" (Wavin' Flag)(with K'Naan) ||	Single	Codirector: Leila Kanaan
"Fi Hagat"	7||Nadine Labaki
"Sheikh El Shabab"	Leila Kanaan
2011	"Ya Kether"

Commercials

Ajram's success as a singer led to high-profile advertising deals with Coca-Cola and Sony Ericsson and Damas Jewelry. Nancy remained the only Arab star promoting Coke until late 2007 when Egyptian sensations Mohammed Hamaki and Tamer Hosni joined in as well, as she still remains the only female. Coca-Cola and Nancy formed a great team since five years making commercials and music videos that stood out in the Arab world, synchronising local campaigns with worldwide slogans.

Concert Tickle, Munroe, WinkMoegaba Coke BottleElDonya Helwa Have a CokeMeen Ghayri Ana? ''Noss elKawn''Eftah Albak TefrahShaggaa' Be Alamak (Wavin' Flag)

+ Middle East Coke Campaigns
width =	Year	Coke Hit	Theme	# of Ads	Campaign
	Oul Tany Kida	|	3	TV,MV,print
Instrumental:'' Lawn Ouyounak''	|	3	TV,print
rowspan=2	2006	|	Circus	1	TV,MV,print
Ashtiki Minno	|	1	TV
rowspan=2	2007	|	The Coke Side of Life	1	TV,print
-
2008	|	Live on the Coke Side of Life	3	TV,MV,print
2009	|Open Happiness|
2010	|2010 FIFA World Cup|

DAMAS's youth-inspired set called "Farfasha", which are gold collections from the World Gold Council said to be chosen by Nancy herself, was promoted by her in three different campaigns. Each campaign had a new collection for the set and a song, commercial, and music video, starting with "Ana Yalli", then "Elli Kan" from Atabtab, and last with "Ibn elGiran" from Betfakkar fi eih?!.

A survey by Sony Ericsson where Nancy was named the most popular Arab star led them into signing a deal with her as their celebrity spokesperson. The company co-sponsored the release of her best-selling album Bitfakkar Fi Eih. In Febrauary 2009 the W595i phone was officially released with a Nancy special edition kit that held her signature on the back of the phone, a free copy of her album and ringtones of her songs. This was accompanied by print advertising, a press conference in Dubai, as well as a commercial set in March 2009 that featured Nancy and the song "Wana Ben Idek" from her best-selling album Bitfakkar Fi Eih.

See also

Nancy Ajram videography

References

External links

Nancy Ajram Official Website

Fiascos affect Arab music awards, 17 May 2004 BBC (Ajram voted best newcomer)

Arab youth revel in pop revolution by Sebastian Usher, 21 May 2007, BBC

Category:1983 births Category:Living people Category:Lebanese Christians Category:Lebanese Maronites Category:Lebanese female singers Category:Lebanese musicians Category:Arabic-language singers Category:UNICEF people Category:World Music Awards winners Category:Lebanese artists Category:Arab people

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name	Haifa Wehbe
background	solo_singer
birth place	Mahrouna, Lebanon
genre	Arabic pop, World
occupation	Singer, model, Designer, Actress
years active	1990s- (model) 2002–present (Singer) 2007–present (Actress)
website	http://www.haifawehbe.com }}

Haifa Wehbe (Arabic: هيفاء وهبي) born in Mahrouna, Lebanon), is a Lebanese model, actress, and singer born to a Lebanese father and Egyptian mother who rose to fame in the Arab world as runner up for Miss Lebanon and later through the release of her debut album ''Houwa El-Zaman'' (Arabic: هو الزمن) in 2002 and is best known through her music for her sex appeal, provocative mannerisms and image, Wehbe is also widely considered a sex symbol in the Middle East. She has so far released four studio albums and made her acting debut in 2008 Pepsi-produced film "''Sea of Stars''". Wehbe is one of the most well-known female singers in the Arab World and is considered one of the most successful Lebanese singers. In 2006, she was on People Magazine's 50 most beautiful people list.

Early life

Wehbe was born in Mahrouna, a small Shia farming town in Southern Lebanon, to a Lebanese father and Egyptian mother, but shortly after her family had moved to Beirut where she grew up listening to jazz and R&B and began to work as a full-time model at a young age. Wehbe won the title of ''Miss South Lebanon'' at the age of sixteen. Wehbe won an ancillary title at the Miss Lebanon competition, which she had to relinquish when it was discovered that she had already been married to nadim anntar(at age 18) and had a baby girl called Zeineb, disqualifying her.

Wehbe also made a name for herself when she starred in a music video clip for the famous Arabic crooner, George Wassouf. By 1996, she had appeared on over one hundred magazine covers.

Career

Houwa El-Zaman (2002-2003)

In 2002, Wehbe released her first album, titled ''Houwa El-Zaman'' (Arabic: هو الزمن, English: "It Is The Time"), which became a commercial success, in part thanks to the popularity of her first single "Agoul Ahwak" (Arabic: أقول أهواك, English: "I Say I Love You").

Baddi Eish and Television Career (2004-2007)

Wehbe released her second studio album ''Baddi Eesh'' (Arabic: بدي عيش, English: "I Want to Live") in early 2005 and lived up to expectations due to the success of its lead single "Ya Hayat Albi." Released after the assassination of Lebanese politician Rafik Hariri, the title single of the album is about "freedom, considered to be among the most basic of human rights". Her follow-up single became her biggest hit to date, "Ana Haifa" (Arabic: أنا هيفاء, English: "I Am Haifa"), which became her novelty song. In 2006 she released a follow up single "Bus al-Wawa" (Arabic: بوس الواوا, English: "Kiss the ''booboo''"), the song was later used in a Pepsi advertisement. The song was also voted Song of the Year in 2006 by Radio Scope and Sawt Al Musika.

In July 2005, Wehbe, along with 14 other celebrities from the Arab world, appeared on the live pan-Arab reality series Al-Wadi (Arabic: الوادي, English: The Farm‎), based on the French reality show La Ferme Célébrités. Wehbe's role featured songs from her then new album.

Wehbe was the first Arab artist appear on the Italian television channel Rai Uno at Piazza Navona in Rome, performing in front of celebrities and fashion designers. Haifa Wehbe has also performed with artists from outside the Arab world. On June 10, 2006, Wehbe became the first artist in the Arab world to perform with rapper 50 Cent when she performed the opening act for his first concert in Lebanon, at BIEL in Beirut.

In summer 2006 she was a spokesperson for Pepsi, and worked on Pepsi ads with football star Thierry Henry which were aired on Lebanese television during the 2006 FIFA World Cup.

Film Career Beginnings and Habibi Ana (2008-2009)

Wehbe starred in the Pepsi-produced film Sea of Stars released in early 2008, along with Carole Samaha, Ahmad el Sherif, Wael Kfoury, Brigitte Yaghi, and Ruwaida al-Mahrooqi

On July 4, 2008, Wehbe released her third studio album Habibi Ana (Arabic: حبيبي أنا, English: "My Love") which contains 15 songs including the lead single "Mosh Adra Astana". In the Middle East album sales struggled due to Haifa's lack of promotion as she was concentrating more on her acting and film career.

In 2009 Wehbe starred in Dokkan Shehata, a high-grossing Egyptian drama film. The film was produced by Khaled Youssef. It was released in June 2009 and immediately became a huge success in the Middle East whilst gaining tremendous publicity.

Baby Haifa (2010-present)

After a lengthy delay, Wehbe released a children's album titled Baby Haifa in March 2010 under Rotana Records.

Wehbe was scheduled to work on the Egyptian movie Leilet El-Baby Doll, but canceled due to her overbooked schedule. The singer will be starring in another movie with producer Muhammad Al Sabki scheduled for sometime in 2011.

In April 2010, Wehbe was featured on French DJ David Vendetta's album ''Vendetta'' on the song ''Yama Layali''. Wehbe is currently working on her fifth studio album. In an interview she said the album will be released in the start of summer.

Other works

Wehbe occasionally works as a television host and has also designed her own selection of diamond jewellery.

Personal life

Wehbe is a Shia Lebanese Muslim, and she has three sisters. Wehbe's brother died at the age of 24 during the 1982 Israeli invasion of Lebanon. Wehbe's daughter has been living with her father since her parents divorce. In 2008 Wehbe's daughter was married in a private ceremony. As of 2010, Zeinab Zaza and her father are living in Kuwait.

In 2005, Wehbe announced her engagement to a Saudi businessman Tariq Al-Jaffali. After only a few weeks, she and her fiancé decided to split for personal reasons and family issues.

On June 25, 2007, Wehbe survived an accident while filming a music video for the song "Hasa Ma Bena" in Lebanon. In the video, a single engine airplane was to chase Wehbe as she drove a car. However, the airplane inadvertently hit the car, taking off the front windshield of the convertible she was driving. Despite the severity of the accident, Wehbe suffered only minor cuts and bruises.

Wehbe married Egyptian businessman Ahmad Abu Husheima on April 24, 2009 in Beirut. Among the guests at the wedding party were singer Anastacia, Googoosh, Kim Kardashian, Samar Ibrahim, Nawal Al Zoghbi, Najwa Karam, Ragheb Alama, Ahlam, and Sherine.

Criticism and controversy

Elissa rivalry

Haifa is known for her enmity and rivalry with Lebanese singer Elissa. In 2009 Haifa compared the two singers to 'cars' by saying that Elissa is an 'old car' while she is a 'new' one. This statement was highly publicised and talked about in the media and press, causing anger between fans. Elissa refused to reply and just stated carelessly: "When someone compares me to a car, is there anything left for me to say?". This enmity stopped when Nishan had Elissa live on his show and called Haifa. Both Elissa and Haifa were surprised, but assured people that there are no problems or issues between the two singers.

Further controversy started when Haifa claimed that Elissa's perfume, "Elle D'Elissa", was supposed to be hers, but Elissa didn't reply and said that the perfume is hers and only hers yet again, Haifa and Elissa announced the love and peace between them. During the Murex d'Or 2010, after Haifa had finished her performance and accepted her award, she said that Lebanon is a country of love and that all Lebanese people love and respect each other. And to prove to people that what she was saying was true, she said "There's no problem with Elissa, and this is the proof to all people," she shook hands with Elissa and congratulated her on her success.

Allegations of Racism

In 2009, lyrics in one of Wehbe song's Baba Fein (from her unreleased 2010 kids album) seemed to refer to Nubians as "monkeys". Exact translation: "''Where is my teddy bear and the Nubian monkey?''". Black Egyptians accused the artist of racism and singing a song that fueled racism and discrimination against them. In 2010 a lawsuit filed against Wehbe was dropped.

Another serious incident occurred after the 2009 Egypt–Algeria World Cup dispute, adding to the diplomatic tension between the two countries. Wehbe went on to make statements that she would not be performing in Algeria anytime soon, because Algerians "''...wouldn't understand her music''". Algerian officials and many Algerians responded to Wehbe's statements stating she would not be welcome in Algeria anyway. Algeria's cultural minister stated that Wehbe would be banned from performing in Algeria for insulting Algeria and the Algerian people regardless of whether she apologizes.

Wehbe went on to explain her initial comments to Lebanese host Tony Khalife, saying that she didn't mean to offend Algerians or Algeria as a country but was condemning the actions of a few Algerians during the match. She then added saying: "I couldn’t help it but cry when I saw the blood of an Egyptian woman on the stadium!".

Political views

During the 2006 Israel-Lebanon conflict, she left her home, in Verdun, Beirut and moved to Egypt for the duration of the conflict. In a concert in the Lebanese town of Jounieh, Wehbe congratulated Hezbollah leader Hassan Nasrallah for his stand against Israel during the war.

In a further interview with Reuters, Wehbe stated that Israel attacked Lebanese civilians intentionally while Hezbollah attacked only military targets: }}

Wehbe also refused to perform at any concert during the 34 days of the war including fundraisers, saying that there were more ways than one to show support for Lebanon.

Wehbe has also urged fans to support Japanese victims of the Tsunami.

2007 Lebanon elections and concert in Beirut

Wehbe wore a shirt with the face of President Michel Suleiman during her performance at the election celebrations in downtown Beirut.

Lebanese newspapers said scores went onstage when Haifa appeared, despite attempts by police to prevent them from reaching the pop star. She also sang the Fairuz classic "Ya Hawa Beirut" ("Oh my love Beirut"), which is nostalgic song written during the Lebanese Civil War that reminisces on the "Glorious Days" of Lebanon prior to 1975.

Image

Wehbe was ranked 49^th in the 2006 Edition of the Top 99 Most Desirable Women by the website AskMen.com. Wehbe was also ranked number 6 in the AskMen.com's 10 Hottest Arab Women article.

Some in the more conservative Arab countries deem her revealing outfits scandalous. One Bahraini member of parliament called her a sexual singer who spoke with her body, not her voice. Wehbe said she was aware of the efforts to ban her from performing at the concert but had chosen to ignore their attempts to silence her.

''"I am a performer and not a politician,"'' Haifa said. ''"I know my fans want me I am there for them.'' ''I am not concerned with the other issues."''

In April 2008, the Islamist-dominated parliament of Bahrain passed a motion urging the government to ban Haifa Wehbe's show in the country. As a result of the motion, Wehbe performed in Bahrain with more modest dress, wearing a long green gown with a low V-neckline during the performance.

Discography

Studio albums

Houwa El-Zaman (2002)

Baddi Eesh (2005)

Habibi Ana (2008)

Other albums

Baby Haifa (2010)

Soundtracks

2008: ''Sea of Stars''

Singles

" 80 Million Ehsas"

"Enta Tany"

"Yama Layali"

"Samaani"

Concert Tours

2011

January 29- Amsterdam, Netherlands (TBA)

2010

November 18- Al Massa Hotel, Cairo

November 17- Movempic Hotel, Beirut, Lebanon

July 31 - Movempic Hotel, Beirut, Lebanon

July 24 - Chouf, Lebanon

July 22 - Batroun, Lebanon

July 16–19 - Casablanca, Morocco

July 4 - PRIVATE CONCERT, Monaco

July 2 - Zahle Festival, Zahle, Lebanon

May 8 - Phoenicia Hotel, Beirut

March 13 - Houston, Texas

Filmography

Films

Sea of Stars (produced by Pepsi) - released July, 2008

Dokkan Shihata - June 2009

Television

Al Wadi (2005) - reality television show based on the French reality show La Ferme Célébrités.

Awards

2002: The "Golden Lion" Award in Egypt. 2004: Best Young Female Arab singer in Egypt. 2005: The Oscar for "ninashnash" for her song ''Baddi Eesh'' from her second album. 2005: The "Murex d'Or" award with the title "Best Artist of the Year". 2006: The "Murex d'Or" award with the title "Best Artist of the Year". 2009: The "Murex d'Or" award with title "Most Popular Lebanese Singer"

2010: The "Murex d'Or" award with the title "Best singer actress"

2010: The "ART" Award for her role in her first Egyptian Film "Dokkan Shehata"

2011: World's Most Desirable Woman List #49 Rank 2011: Most beautiful Arabian model cum actress list Ranked #2 2011: Murex d'Or best song award, for "Yama Layaly."

References

Further reading

Arab youth revel in pop revolution by Sebastian Usher, 21 May 2007, BBC

External links

Most Desirable Arabian:Haifa Wehbe

Haifa Wehbe.com: Official website

Haifa Fans: Official FanClub

Haifa Wehbe Music Videos

Haifa's Official Fanpage

Category:Year of birth missing (living people) Category:Living people Category:Arabic-language singers Category:Lebanese female singers Category:Rotana artists Category:Lebanese female models Category:Lebanese people of Egyptian descent Category:Lebanese Shi'a Muslims Category:Shi'a Islamists Category:Lebanese Islamists Category:Hezbollah Category:People from South Lebanon

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name	Steve Jobs
birth name	Steven Paul Jobs
birth date	February 24, 1955
birth place
death date	October 05, 2011
death place
occupation	Chairman, Apple Inc.
Boards	The Walt Disney Company, Apple, Inc.
alma mater	Reed College (one semester in 1972)
networth	$8.3 billion (2011)
religion	Buddhism
spouse	Laurene Powell Jobs(m. 1991–2011; his death)
children	4
signature	Firma de Steve Jobs.svg
relatives	Mona Simpson (sister)
website	}}

Steven Paul Jobs (February 24, 1955 – October 5, 2011) was an American computer entrepreneur and inventor. He was co-founder, chairman, and chief executive officer of Apple Inc. Jobs also previously served as chief executive of Pixar Animation Studios; he became a member of the board of directors of The Walt Disney Company in 2006, following the acquisition of Pixar by Disney. He was credited in ''Toy Story'' (1995) as an executive producer.

In the late 1970s, Jobs, with Apple co-founder Steve Wozniak, Mike Markkula, and others, designed, developed, and marketed one of the first commercially successful lines of personal computers, the Apple II series. In the early 1980s, Jobs was among the first to see the commercial potential of Xerox PARC's mouse-driven graphical user interface, which led to the creation of the Macintosh. After losing a power struggle with the board of directors in 1985, Jobs resigned from Apple and founded NeXT, a computer platform development company specializing in the higher-education and business markets. Apple's subsequent 1996 buyout of NeXT brought Jobs back to the company he co-founded, and he served as its CEO from 1997 until 2011.

In 1986, he acquired the computer graphics division of Lucasfilm Ltd which was spun off as Pixar Animation Studios. He remained CEO and majority shareholder at 50.1 percent until its acquisition by The Walt Disney company in 2006. Consequently Jobs became Disney's largest individual shareholder at 7 percent and a member of Disney's Board of Directors.

On August 24, 2011, Jobs announced his resignation from his role as Apple's CEO. In his letter of resignation, Jobs strongly recommended that the Apple executive succession plan be followed and Tim Cook be named as his successor. Per his request, Jobs was appointed chairman of Apple's board of directors. On October 5, 2011, Apple announced that Jobs had died. He was 56 years old. His aim, to develop products that are both functional and elegant, had earned him a devoted following.

Early years

Jobs was born in San Francisco and was adopted by Paul and Clara Jobs (née Hagopian) of Mountain View, California. Paul and Clara later adopted a daughter, Patti. Jobs' biological parents – Abdulfattah John Jandali, a Syrian immigrant to the U.S. who later became a political science professor, and Joanne Schieble (later Simpson), an American graduate student who went on to become a speech language pathologist – eventually married. Together, they gave birth to and raised Jobs' biological sister, novelist Mona Simpson.

Jobs attended Cupertino Junior High and Homestead High School in Cupertino, California. He frequented after-school lectures at the Hewlett-Packard Company in Palo Alto, California and was later hired there, working with Steve Wozniak as a summer employee. Following high school graduation in 1972, Jobs enrolled at Reed College in Portland, Oregon. Although he dropped out after only one semester, he continued auditing classes at Reed, while sleeping on the floor in friends' rooms, returning Coke bottles for food money, and getting weekly free meals at the local Hare Krishna temple. Jobs later said, "If I had never dropped in on that single calligraphy course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts."

In autumn 1974, Jobs returned to California and began attending meetings of the Homebrew Computer Club with Wozniak. He took a job as a technician at Atari, a manufacturer of popular video games, with the primary intent of saving money for a spiritual retreat to India.

Jobs then traveled to India to visit the Neem Karoli Baba at his Kainchi Ashram with a Reed College friend (and, later, the first Apple employee), Daniel Kottke, in search of spiritual enlightenment. He came back a Buddhist with his head shaved and wearing traditional Indian clothing. During this time, Jobs experimented with psychedelics, calling his LSD experiences "one of the two or three most important things [he had] done in [his] life". He later said that people around him who did not share his countercultural roots could not fully relate to his thinking.

Jobs returned to his previous job at Atari and was given the task of creating a circuit board for the game ''Breakout''. According to Atari founder Nolan Bushnell, Atari had offered $100 for each chip that was eliminated in the machine. Jobs had little interest or knowledge in circuit board design and made a deal with Wozniak to split the bonus evenly between them if Wozniak could minimize the number of chips. Much to the amazement of Atari, Wozniak reduced the number of chips by 50, a design so tight that it was impossible to reproduce on an assembly line. At the time, Jobs told Wozniak that Atari had only given them $700 (instead of the actual $5,000) and that Wozniak's share was thus $350.

Career

Beginnings of Apple Computer

In 1976, Steve Jobs, Steve Wozniak and Ronald Wayne, with later funding from a then-semi-retired Intel product-marketing manager and engineer A.C. "Mike" Markkula Jr., founded Apple. Prior to co-founding Apple, Wozniak was an electronics hacker. Jobs and Wozniak had been friends for several years, having met in 1971, when their mutual friend, Bill Fernandez, introduced 21-year-old Wozniak to 16-year-old Jobs. Steve Jobs managed to interest Wozniak in assembling a computer and selling it. As Apple continued to expand, the company began looking for an experienced executive to help manage its expansion.

In 1978, Apple recruited Mike Scott from National Semiconductor to serve as CEO for what turned out to be several turbulent years. In 1983, Steve Jobs lured John Sculley away from Pepsi-Cola to serve as Apple's CEO, asking, "Do you want to sell sugar water for the rest of your life, or do you want to come with me and change the world?" The following year, Apple aired a Super Bowl television commercial titled "1984". At Apple's annual shareholders meeting on January 24, 1984, an emotional Jobs introduced the Macintosh to a wildly enthusiastic audience; Andy Hertzfeld described the scene as "pandemonium". The Macintosh became the first commercially successful small computer with a graphical user interface. The development of the Mac was started by Jef Raskin, and eventually taken over by Jobs.

While Jobs was a persuasive and charismatic director for Apple, some of his employees from that time had described him as an erratic and temperamental manager. An industry-wide sales slump towards the end of 1984 caused a deterioration in Jobs's working relationship with Sculley, and at the end of May 1985 – following an internal power struggle and an announcement of significant layoffs because of disappointing sales at the time – Sculley relieved Jobs of his duties as head of the Macintosh division. He later claimed that being fired from Apple was the best thing that could happen to him; "The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life."

NeXT Computer

Around the same time, Jobs founded another computer company, NeXT Computer. Like the Apple Lisa, the NeXT workstation was technologically advanced; however, it was largely dismissed by industry as cost-prohibitive. Among those who could afford it, however, the NeXT workstation garnered a strong following because of its technical strengths, chief among them its object-oriented software development system. Jobs marketed NeXT products to the scientific and academic fields because of the innovative, experimental new technologies it incorporated (such as the Mach kernel, the digital signal processor chip, and the built-in Ethernet port).

The NeXTcube was described by Jobs as an "interpersonal" computer, which he believed was the next step after "personal" computing. That is, if computers could allow people to communicate and collaborate together in an easy way, it would solve many of the problems that "personal" computing had come up against.

During a time when e-mail for most people was plain text, Jobs loved to demo the NeXT's e-mail system, NeXTMail, as an example of his "interpersonal" philosophy. NeXTMail was one of the first to support universally visible, clickable embedded graphics and audio within e-mail.

Jobs ran NeXT with an obsession for aesthetic perfection, as evidenced by such things as the NeXTcube's magnesium case. This put considerable strain on NeXT's hardware division, and in 1993, after having sold only 50,000 machines, NeXT transitioned fully to software development with the release of NeXTSTEP/Intel.

Pixar and Disney

In 1986, Jobs bought The Graphics Group (later renamed Pixar) from Lucasfilm's computer graphics division for the price of $10 million, $5 million of which was given to the company as capital.

The new company, which was originally based at Lucasfilm's Kerner Studios in San Rafael, California, but has since relocated to Emeryville, California, was initially intended to be a high-end graphics hardware developer. After years of unprofitability selling the Pixar Image Computer, it contracted with Disney to produce a number of computer-animated feature films, which Disney would co-finance and distribute.

The first film produced by the partnership, ''Toy Story'', brought fame and critical acclaim to the studio when it was released in 1995. Over the next 15 years, under Pixar's creative chief John Lasseter, the company would produce the box-office hits ''A Bug's Life'' (1998), ''Toy Story 2'' (1999), ''Monsters, Inc.'' (2001), ''Finding Nemo'' (2003), ''The Incredibles'' (2004), ''Cars'' (2006), ''Ratatouille'' (2007), ''WALL-E'' (2008), ''Up'' (2009) and ''Toy Story 3'' (2010). ''Finding Nemo'', ''The Incredibles'', ''Ratatouille'', ''WALL-E'', ''Up'' and ''Toy Story 3'' each received the Academy Award for Best Animated Feature, an award introduced in 2001.

In the years 2003 and 2004, as Pixar's contract with Disney was running out, Jobs and Disney chief executive Michael Eisner tried but failed to negotiate a new partnership, and in early 2004 Jobs announced that Pixar would seek a new partner to distribute its films once its contract with Disney expired.

In October 2005, Bob Iger replaced Eisner at Disney, and Iger quickly worked to patch up relations with Jobs and Pixar. On January 24, 2006, Jobs and Iger announced that Disney had agreed to purchase Pixar in an all-stock transaction worth $7.4 billion. Once the deal closed, Jobs became The Walt Disney Company's largest single shareholder with approximately 7% of the company's stock. Jobs's holdings in Disney far exceed those of Eisner, who holds 1.7%, and of Disney family member Roy E. Disney, who until his 2009 death held about 1% of the company's stock and whose criticisms of Eisner – especially that he soured Disney's relationship with Pixar – accelerated Eisner's ousting. Jobs joined the company's board of directors upon completion of the merger. Jobs also helped oversee Disney and Pixar's combined animation businesses with a seat on a special six person steering committee.

Return to Apple

In 1996, Apple announced that it would buy NeXT for $429 million. The deal was finalized in late 1996, bringing Jobs back to the company he had co-founded. Jobs became ''de facto'' chief after then-CEO Gil Amelio was ousted in July. He was formally named interim chief executive in September 1997. In March 1998, to concentrate Apple's efforts on returning to profitability, Jobs terminated a number of projects, such as Newton, Cyberdog, and OpenDoc. In the coming months, many employees developed a fear of encountering Jobs while riding in the elevator, "afraid that they might not have a job when the doors opened. The reality was that Jobs' summary executions were rare, but a handful of victims was enough to terrorize a whole company." Jobs also changed the licensing program for Macintosh clones, making it too costly for the manufacturers to continue making machines.

With the purchase of NeXT, much of the company's technology found its way into Apple products, most notably NeXTSTEP, which evolved into Mac OS X. Under Jobs's guidance the company increased sales significantly with the introduction of the iMac and other new products; since then, appealing designs and powerful branding have worked well for Apple. At the 2000 Macworld Expo, Jobs officially dropped the "interim" modifier from his title at Apple and became permanent CEO. Jobs quipped at the time that he would be using the title 'iCEO.'

The company subsequently branched out, introducing and improving upon other digital appliances. With the introduction of the iPod portable music player, iTunes digital music software, and the iTunes Store, the company made forays into consumer electronics and music distribution. On June 29, 2007, Apple entered the cellular phone business with the introduction of the iPhone, a multi-touch display cell phone, which also included the features of an iPod and, with its own mobile browser, revolutionized the mobile browsing scene. While stimulating innovation, Jobs also reminded his employees that "real artists ship", by which he meant that delivering working products on time is as important as innovation and attractive design.

Jobs was both admired and criticized for his consummate skill at persuasion and salesmanship, which has been dubbed the "reality distortion field" and was particularly evident during his keynote speeches (colloquially known as "Stevenotes") at Macworld Expos and at Apple's own Worldwide Developers Conferences.

In 2005, Jobs responded to criticism of Apple's poor recycling programs for e-waste in the U.S. by lashing out at environmental and other advocates at Apple's Annual Meeting in Cupertino in April. However, a few weeks later, Apple announced it would take back iPods for free at its retail stores. The Computer TakeBack Campaign responded by flying a banner from a plane over the Stanford University graduation at which Jobs was the commencement speaker. The banner read "Steve — Don't be a mini-player recycle all e-waste". In 2006, he further expanded Apple's recycling programs to any U.S. customer who buys a new Mac. This program includes shipping and "environmentally friendly disposal" of their old systems.

Resignation

In August 2011, Jobs resigned as CEO of Apple, but remained at the company as chairman of the company's board. Hours after the announcement, Apple Inc. (AAPL) shares dropped 5% in after-hour trading. The relatively small drop, when considering the importance of Jobs to Apple, was associated with the fact that Jobs' health had been in the news for several years, and he was on medical leave since January 2011. It was believed, according to ''Forbes'', that the impact would be felt in a negative way beyond Apple, including at The Walt Disney Company where Jobs served as director. In after-hour trading on the day of the announcement, Walt Disney Co. (DIS) shares dropped 1.5%.

Business life

Wealth

Even though Jobs earned only $1 a year as CEO of Apple, he held 5.426 million Apple shares, as well as 138 million shares in Disney (which he had received in exchange for Disney's acquisition of Pixar). ''Forbes'' estimated his net wealth at $8.3 billion in 2010, making him the 42nd wealthiest American.

Stock options backdating issue

In 2001, Steve Jobs was granted stock options in the amount of 7.5 million shares of Apple with an exercise price of $18.30, which allegedly should have been $21.10, thereby incurring taxable income of $20,000,000 that he did not report as income. This indicated backdating. Apple overstated its earnings by that same amount. If found liable, Jobs might have faced a number of criminal charges and civil penalties. Apple claimed that the options were originally granted at a special board meeting. Furthermore, the investigation is focusing on false dating of the options resulting in a retroactive $20 million increase in the exercise price. The case is the subject of active criminal and civil government investigations, though an independent internal Apple investigation completed on December 29, 2006, found that Jobs was unaware of these issues and that the options granted to him were returned without being exercised in 2003. On July 1, 2008, a $7 billion class action suit was filed against several members of the Apple Board of Directors for revenue lost due to the alleged securities fraud.

Management style

Much was made of Jobs' aggressive and demanding personality. ''Fortune'' wrote that he was "considered one of Silicon Valley's leading egomaniacs". Commentaries on his temperamental style can be found in Mike Moritz's ''The Little Kingdom'', one of the few authorized biographies of Jobs; ''The Second Coming of Steve Jobs,'' by Alan Deutschman; and ''iCon: Steve Jobs'', by Jeffrey S. Young & William L. Simon. In 1993, Jobs made Fortune's list of America's Toughest Bosses in regard to his leadership of NeXT. Cofounder Dan'l Lewin was quoted in Fortune as saying of that period, "The highs were unbelievable . . . [b]ut the lows were unimaginable," to which Jobs's office replied that his personality had changed since then.

Jef Raskin, a former colleague, once said that Jobs "would have made an excellent king of France," alluding to Jobs' compelling and larger-than-life persona.

Jobs always aspired to position Apple and its products at the forefront of the information technology industry by foreseeing and setting trends, at least in innovation and style. He summed up that self-concept at the end of his keynote speech at the Macworld Conference and Expo in January 2007 by quoting ice hockey legend Wayne Gretzky:

Floyd Norman said that at Pixar, Jobs was a "mature, mellow individual" and never interfered with the creative process of the filmmakers.

In 2005, Steve Jobs banned all books published by John Wiley & Sons from Apple Stores in response to their publishing an unauthorized biography, ''iCon: Steve Jobs''. In its 2010 annual earnings report, Wiley said it had "closed a deal ... to make its titles available for the iPad."

Inventions

Jobs is listed as either primary inventor or co-inventor in 338 US patents or patent applications related to a range of technologies from actual computer and portable devices to user interfaces (including touch-based), speakers, keyboards, power adapters, staircases, clasps, sleeves, lanyards and packages.

Philanthropy

After Bloomberg accidentally published Jobs' obituary in 2008, Arik Hesseldahl of BusinessWeek magazine noted that "Jobs isn't widely known for his association with philanthropic causes", compared to Bill Gates' efforts. After resuming control of Apple in 1997, Jobs eliminated all corporate philanthropy programs.

Personal life

Jobs married Laurene Powell, on March 18, 1991. Presiding over the wedding was the Zen Buddhist monk Kobun Chino Otogawa. The couple have a son and two daughters. Jobs also has a daughter, Lisa Brennan-Jobs (born 1978), from his relationship with Bay Area painter Chrisann Brennan. She briefly raised their daughter on welfare when Jobs denied paternity by claiming he was sterile; he later acknowledged Lisa as his daughter.

In the unauthorized biography, ''The Second Coming of Steve Jobs,'' author Alan Deutschman reports that Jobs once dated Joan Baez. Deutschman quotes Elizabeth Holmes, a friend of Jobs from his time at Reed College, as saying she "believed that Steve became the lover of Joan Baez in large measure because Baez had been the lover of Bob Dylan." In another unauthorized biography, ''iCon: Steve Jobs'' by Jeffrey S. Young & William L. Simon, the authors suggest that Jobs might have married Baez, but her age at the time (41) meant it was unlikely the couple could have children.

Jobs was also a fan of The Beatles. He referred to them on multiple occasions at Keynotes and also was interviewed on a showing of a Paul McCartney concert. When asked about his business model on ''60 Minutes'', he replied:

In 1982, Jobs bought an apartment in The San Remo, an apartment building in New York City with a politically progressive reputation, where Demi Moore, Steven Spielberg, Steve Martin, and Princess Yasmin Aga Khan, daughter of Rita Hayworth, also had apartments. With the help of I.M. Pei, Jobs spent years renovating his apartment in the top two floors of the building's north tower, only to sell it almost two decades later to U2 singer Bono. Jobs had never moved in.

In 1984, Jobs purchased a , 14-bedroom Spanish Colonial mansion, designed by George Washington Smith, in Woodside, California (also known as Jackling House). Although it reportedly remained in an almost unfurnished state, Jobs lived in the mansion for almost ten years. According to reports, he kept an old BMW motorcycle in the living room, and let Bill Clinton use it in 1998. From the early 1990s, Jobs lived in a house in the Old Palo Alto neighborhood of Palo Alto. President Clinton dined with Jobs and 14 Silicon Valley CEOs there on August 7, 1996 on a meal catered by Greens Restaurant. Clinton returned the favor and Jobs, who was a Democratic donor, slept in the Lincoln bedroom of the White House.

Jobs allowed Jackling House to fall into a state of disrepair, planning to demolish the house and build a smaller home on the property; but he met with complaints from local preservationists over his plans. In June 2004, the Woodside Town Council gave Jobs approval to demolish the mansion, on the condition that he advertise the property for a year to see if someone would move it to another location and restore it. A number of people expressed interest, including several with experience in restoring old property, but no agreements to that effect were reached. Later that same year, a local preservationist group began seeking legal action to prevent demolition. In January 2007 Jobs was denied the right to demolish the property, by a court decision. The court decision was overturned on appeal in March 2010 and the mansion was demolished beginning February 2011.

Jobs usually wore a black long-sleeved mock turtleneck made by St. Croix, Levi's 501 blue jeans, and New Balance 991 sneakers. He was a pescetarian, one whose diet includes fish but no other meat.

His car was a silver 2008 Mercedes SL 55 AMG, which does not display its license plates.

Jobs had a public war of words with Dell Computer CEO Michael Dell, starting when Jobs first criticized Dell for making "un-innovative beige boxes". On October 6, 1997, in a Gartner Symposium, when Michael Dell was asked what he would do if he owned then-troubled Apple Computer, he said "I'd shut it down and give the money back to the shareholders." In 2006, Steve Jobs sent an email to all employees when Apple's market capitalization rose above Dell's. The email read:

Illness and death

In mid-2004, Jobs announced to his employees that he had been diagnosed with a cancerous tumor in his pancreas. The prognosis for pancreatic cancer is usually very poor; Jobs, however, stated that he had a rare, far less aggressive type known as islet cell neuroendocrine tumor. After initially resisting the idea of conventional medical intervention and embarking on a special diet to thwart the disease, Jobs underwent a pancreaticoduodenectomy (or "Whipple procedure") in July 2004 that appeared to successfully remove the tumor. Jobs apparently did not require nor receive chemotherapy or radiation therapy. During Jobs' absence, Timothy D. Cook, head of worldwide sales and operations at Apple, ran the company.

In early August 2006, Jobs delivered the keynote for Apple's annual Worldwide Developers Conference. His "thin, almost gaunt" appearance and unusually "listless" delivery, together with his choice to delegate significant portions of his keynote to other presenters, inspired a flurry of media and Internet speculation about his health. In contrast, according to an ''Ars Technica'' journal report, WWDC attendees who saw Jobs in person said he "looked fine". Following the keynote, an Apple spokesperson said that "Steve's health is robust."

Two years later, similar concerns followed Jobs' 2008 WWDC keynote address. Apple officials stated Jobs was victim to a "common bug" and was taking antibiotics, while others surmised his cachectic appearance was due to the Whipple procedure. During a July conference call discussing Apple earnings, participants responded to repeated questions about Steve Jobs' health by insisting that it was a "private matter". Others, however, voiced the opinion that shareholders had a right to know more, given Jobs' hands-on approach to running his company. The ''New York Times'' published an article based on an off-the-record phone conversation with Jobs, noting that "while his health issues have amounted to a good deal more than 'a common bug,' they weren't life-threatening and he doesn't have a recurrence of cancer."

On August 28, 2008, Bloomberg mistakenly published a 2500-word obituary of Jobs in its corporate news service, containing blank spaces for his age and cause of death. (News carriers customarily stockpile up-to-date obituaries to facilitate news delivery in the event of a well-known figure's untimely death.) Although the error was promptly rectified, many news carriers and blogs reported on it, intensifying rumors concerning Jobs' health. Jobs responded at Apple's September 2008 ''Let's Rock'' keynote by quoting Mark Twain: "Reports of my death are greatly exaggerated." At a subsequent media event, Jobs concluded his presentation with a slide reading "110/70", referring to his blood pressure, stating he would not address further questions about his health.

On December 16, 2008, Apple announced that marketing vice-president Phil Schiller would deliver the company's final keynote address at the Macworld Conference and Expo 2009, again reviving questions about Jobs' health. In a statement given on January 5, 2009 on Apple.com, Jobs said that he had been suffering from a "hormone imbalance" for several months. On January 14, 2009, in an internal Apple memo, Jobs wrote that in the previous week he had "learned that my health-related issues are more complex than I originally thought" and announced a six-month leave of absence until the end of June 2009 to allow him to better focus on his health. Tim Cook, who had previously acted as CEO in Jobs' 2004 absence, became acting CEO of Apple, with Jobs still involved with "major strategic decisions."

In April 2009, Jobs underwent a liver transplant at Methodist University Hospital Transplant Institute in Memphis, Tennessee. Jobs' prognosis was "excellent".

On January 17, 2011, a year and a half after Jobs returned from his liver transplant, Apple announced that he had been granted a medical leave of absence. Jobs announced his leave in a letter to employees, stating his decision was made "so he could focus on his health". As during his 2009 medical leave, Apple announced that Tim Cook would run day-to-day operations and that Jobs would continue to be involved in major strategic decisions at the company. Despite the leave, he made appearances at the iPad 2 launch event (March 2), the WWDC keynote introducing iCloud (June 6), and before the Cupertino city council (June 7).

Jobs announced his resignation from his role as Apple's CEO on August 24, 2011. In his resignation letter, Jobs wrote that he could "no longer meet [his] duties and expectations as Apple's CEO".

On October 5, 2011, his family, in a statement, said Jobs "died peacefully today surrounded by his family . . ."

Apple released a separate statement saying that Jobs had died. The statement read "We are deeply saddened to announce that Steve Jobs passed away today. Steve's brilliance, passion and energy were the source of countless innovations that enrich and improve all of our lives. The world is immeasurably better because of Steve. His greatest love was for his wife, Laurene, and his family. Our hearts go out to them and to all who were touched by his extraordinary gifts."

Also on October 5, 2011, Apple's corporate website greeted visitors with a simple page showing Jobs's name and lifespan next to his greyscale portrait. Clicking on Jobs's image led to an obituary that read "Apple has lost a visionary and creative genius, and the world has lost an amazing human being. Those of us who have been fortunate enough to know and work with Steve have lost a dear friend and an inspiring mentor. Steve leaves behind a company that only he could have built, and his spirit will forever be the foundation of Apple." An email address was also posted for the public to share their memories, condolences, and thoughts.

Jobs is survived by his wife, Laurene, to whom he was married for 20 years, their three children, and a fourth child, Lisa Brennan-Jobs, from a previous relationship.

Statements on Jobs' death

Statements reacting to Jobs' death were released by notable people in the US, including U.S. President Barack Obama, Microsoft founder Bill Gates, Walt Disney Company's Bob Iger, and Facebook founder Mark Zuckerberg. Wired collected reactions and posted them in tribute on their homepage.

Excerpts from President Barack Obama's statement:

Steve was among the greatest of American innovators - brave enough to think differently, bold enough to believe he could change the world, and talented enough to do it. By building one of the planet’s most successful companies from his garage, he exemplified the spirit of American ingenuity. By making computers personal and putting the internet in our pockets, he made the information revolution not only accessible, but intuitive and fun. And by turning his talents to storytelling, he has brought joy to millions of children and grownups alike. Steve was fond of saying that he lived every day like it was his last. Because he did, he transformed our lives, redefined entire industries, and achieved one of the rarest feats in human history: he changed the way each of us sees the world.

Bill Gates released a statement saying:

I'm truly saddened to learn of Steve Jobs' death. Melinda and I extend our sincere condolences to his family and friends, and to everyone Steve has touched through his work. Steve and I first met nearly 30 years ago, and have been colleagues, competitors and friends over the course of more than half our lives. The world rarely sees someone who has had the profound impact Steve has had, the effects of which will be felt for many generations to come. For those of us lucky enough to get to work with him, it's been an insanely great honor. I will miss Steve immensely.

Walt Disney Company president Bob Iger said in regards to Jobs:

Steve Jobs was a great friend as well as a trusted advisor. His legacy will extend far beyond the products he created or the businesses he built. It will be the millions of people he inspired, the lives he changed, and the culture he defined. Steve was such an "original," with a thoroughly creative, imaginative mind that defined an era. Despite all he accomplished, it feels like he was just getting started. With his passing the world has lost a rare original, Disney has lost a member of our family, and I have lost a great friend. Our thoughts and prayers are with his wife Laurene and his children during this difficult time.

Mark Zuckerberg wrote on his Facebook page:

Steve, thank you for being a mentor and a friend. Thanks for showing that what you build can change the world. I will miss you.

American director Steven Spielberg said: "Steve Jobs was the greatest inventor since Thomas Edison. He put the world at our fingertips."

Microsoft Co-founder Paul Allen said: "We've lost a unique tech pioneer and auteur who knew how to make amazingly great products. Steve fought a long battle against tough odds in a very brave way. He kept doing amazing things in the face of all that adversity. As someone who has had his own medical challenges, I couldn't help but be encouraged by how he persevered."

Apple Co-founder Steve Wozniak said : "People sometimes have goals in life. Steve Jobs exceeded every goal he set himself."

Honors

Jobs was awarded the National Medal of Technology by President Ronald Reagan in 1984 with Steve Wozniak (among the first people to ever receive the honor), and a Jefferson Award for Public Service in the category "Greatest Public Service by an Individual 35 Years or Under" (a.k.a. the ''Samuel S. Beard Award'') in 1987. On November 27, 2007, Jobs was named the most powerful person in business by ''Fortune Magazine''. On December 5, 2007, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Jobs into the California Hall of Fame, located at The California Museum for History, Women and the Arts.

In August 2009, Jobs was selected as the most admired entrepreneur among teenagers in a survey by Junior Achievement. On November 5, 2009, Jobs was named the CEO of the decade by ''Fortune Magazine''. In September 2011, Jobs was ranked No.17 on Forbes: The World's Most Powerful People. In December 2010, the ''Financial Times'' named Jobs its person of the year for 2010, ending its essay by stating, "In his autobiography, John Sculley, the former PepsiCo executive who once ran Apple, said this of the ambitions of the man he had pushed out: 'Apple was supposed to become a wonderful consumer products company. This was a lunatic plan. High-tech could not be designed and sold as a consumer product.' How wrong can you be".

In popular culture

Due to his youth, great wealth, and charisma, after Apple's founding Jobs became a symbol of his company and industry. When ''Time'' named the computer as the 1982 "Machine of the Year", it published a long profile of him as "the most famous maestro of the micro". In 2011 Jobs was voted Best Business Entrepreneur On Earth. Jobs was prominently featured in four productions about the history of the personal computing industry:

''Triumph of the Nerds'' – a 1996 three-part documentary for PBS, about the rise of the home computer/personal computer.

''Nerds 2.0.1'' – a 1998 three-part documentary for PBS, (and sequel to ''Triumph of the Nerds'') which chronicles the development of the Internet.

''Pirates of Silicon Valley'' – a 1999 docudrama which chronicles the rise of Apple and Microsoft. He was portrayed by Noah Wyle.

''The Machine that Changed the World (1992)'' – Part 3 of this 5 part documentary, called ''The Paperback Computer'', prominently featured Jobs and his role in the early days of Apple.

After his resignation as Apple's CEO, Jobs was characterized as the Thomas Edison and Henry Ford of his time.

Notes

References

Bantam Doubleday Dell. ISBN 0-385-48684-7. Chapter 28

External links

Steve Jobs' executive profile at Apple.

YouTube video of first Jobs' Macworld keynote in 1997, when he returned to Apple, where he announced partnership with Microsoft.

Jobs's commencement address at Stanford University, June 12, 2005 (YouTube video).

"Thoughts on Music" by Steve Jobs, February 6, 2007.

"Thoughts on Flash" by Steve Jobs, April, 2010.

Bloomberg Game Changers: Steve Jobs A 48 minute video on Steve Jobs by Bloomberg

Profile at ''Forbes''

Articles

"Thirty Years of Innovation at Apple: Jobs on the Job". ''Time''. 2007.

Anecdotes from Steve Jobs' early days in Apple as reported by Andy Hertzfeld. Folklore.org.

Interviews

Steve Jobs in 1994: The Rolling Stone Interview, ''Rolling Stone'' – 1994, republished January 17, 2011. Archived URL

 — April 20, 1995.

The Seed of Apple's Innovation, ''BusinessWeek'' — October 12, 2004.

How Big Can Apple Get?, ''Fortune'' — February 21, 2005.

, ''Newsweek'' — October 15, 2006.

Bill Gates and Steve Jobs (video and transcript of on stage interview), ''All Things D'' – May 30, 2007.

Videotaped Deposition of Steven P. Jobs in front of the Securities and Exchange Commission  – March 18, 2008

Interview with Abdulfattah "John" Jandali, Job's biological father, by Mohannad Al-Haj Ali, published in ''Al Hayat'' ''Ya Liban'', February 28, 2011

Category:1955 births Category:2011 deaths Category:American adoptees Category:American billionaires Category:American chief executives Category:American people of Syrian descent Category:American Zen Buddhists Category:Apple Inc. employees Category:Articles with inconsistent citation formats Category:Businesspeople from California Category:Businesspeople in software Category:Computer designers Category:Computer pioneers Category:Disney people Category:Internet pioneers Category:National Medal of Technology recipients Category:NeXT Category:Organ transplant recipients Category:People from the San Francisco Bay Area Category:Pescetarians Category:Reed College alumni

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